Friday, January 6, 2012

Caught Up!

  • ISBN13: 9780972800501
  • Condition: Used - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Studio: Lions Gate Home Ent. Release Date: 01/20/2004It's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass fo! r acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakPhyllis Woods has truly lived a hard-knock life. While trying to cope with the deaths of her mother and baby sister, along with a brother who's in prison, Phyllis gets caught up in the fast life. She spends her days battling a cocaine addiction, and hiding from a ruthless drug dealer whom she owes a lot of money to. Phyllis soon finds herself facing a murder charge. She cleans herself up, changes her identity and is now livi! ng on the run. Her best friend, Trina, convinces Phyllis to mo! ve with her to North Carolina to start over. Shortly after, the drama starts to unfold. Phyllis learns the hard way that Trina just can't be trusted. She has no idea that Trina is harboring a secret so shocking that it will change both of their lives forever.Phyllis Woods has truly lived a hard-knock life. While trying to cope with the deaths of her mother and baby sister, along with a brother who's in prison, Phyllis gets caught up in the fast life. She spends her days battling a cocaine addiction, and hiding from a ruthless drug dealer whom she owes a lot of money to. Phyllis soon finds herself facing a murder charge. She cleans herself up, changes her identity and is now living on the run. Her best friend, Trina, convinces Phyllis to move with her to North Carolina to start over. Shortly after, the drama starts to unfold. Phyllis learns the hard way that Trina just can't be trusted. She has no idea that Trina is harboring a secret so shocking that it will change both of their liv! es forever.Phyllis Woods has truly lived a hard-knock life. While trying to cope with the deaths of her mother and baby sister, along with a brother who's in prison, Phyllis gets caught up in the fast life. She spends her days battling a cocaine addiction, and hiding from a ruthless drug dealer whom she owes a lot of money to. Phyllis soon finds herself facing a murder charge. She cleans herself up, changes her identity and is now living on the run. Her best friend, Trina, convinces Phyllis to move with her to North Carolina to start over. Shortly after, the drama starts to unfold. Phyllis learns the hard way that Trina just can't be trusted. She has no idea that Trina is harboring a secret so shocking that it will change both of their lives forever.It's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the ki! tchen sink--into this noir rip-off that borrows liberally from! Chin atown and Bound but lacks the intelligent gravity and grace of the former and the stylish, tongue-in-cheek fun of the latter. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting and wastes the laconic beauty of One False Move costar Cynda Williams, who plays a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. The DVD comes with a slew of music videos, the radio and TV spot, as well as a director's commentary track. But don't be fooled by all the goodies--they're si! mply a smokescreen to nudge the audience into thinking the film is important and worthy. Caught Up is a goofy mess of contradictions and implausibility. --Paula Nechak When Raven Klein, a bi-racial woman from Iowa moves to Atlanta in hopes of finding a life she's secretly dreamed about, she finds more than she ever imagined. Quickly lured and lost in a world of sex, money, power-struggles, betrayal & deceit, Raven doesn't know who she can really trust!

A chance meeting at a bus terminal leads to her delving into the seedy world of strip-clubs, big-ballers and shot-callers. Now, Raven's shuffling through more men than a Vegas blackjack dealer does a deck of cards. And sex has even become mundane -- little more than a tool to get what she wants.

After a famous acquaintance winds-up dead -- On which shoulder will Raven lean? A wrong choice could cost her life! There's a reason they call it HOTATLANTA!

Touch the Sound - A Sound Journey With Evelyn Glennie

  • In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on nearly deaf percussionist Evelyn Glennie, who experiences sound as a kind of touching or vibration. Using Glennie's unique musical sensibilities as a jumping-off point, Riedelsheimer introduces the
From the director of Driving Miss Daisy comes this compelling, heartwarming and inspiring true story of a father (Pierce Brosnan) who faces impossible odds to keep his family together. Times are tough in Dublin, Ireland. But no one has it tougher than Desmond Doyle when his wife runs off and his beloved daughter Evelyn and two young sons are sent to an orphanage by the government.Enlisting the help of loyal friends (Julianna Margulies, Stephen Rea) and a feisty American lawyer (Aidan Quinn), he takes his! case to Ireland's Supreme Court in a history-making quest to topple an ironclad law and win back the custody of his children!With a gentle tug at the heartstrings, Evelyn tells the true story of an imperfect father whose devotion brought much-needed change to rigid Irish law. It's a labor of love for star and coproducer Pierce Brosnan, who brings just the right touch of Everyman charm to his role as Desmond Doyle, a struggling Dublin tradesman, father of three, and chronic pub-crawler whose wife abandons their family the day after Christmas, 1953. Desmond's a loving father who's boyishly irresponsible; Irish law dictates the removal of his children to stern Catholic orphanages, and his battle for custody is aided by two lawyers (Stephen Rea, Aidan Quinn) who seize this opportunity to revolutionize the courts. With straightforward, unobtrusive style, director Bruce Beresford draws fine performances from Brosnan, Julianna Margulies (as a barmaid who inspires Desmond's! sobriety), and especially young Sophie Vavasseur in the title! role as Desmond's bright, determined daughter. Sentimental without being saccharine, Evelyn is simple, well made, and bursting with genuine Irish spirit. --Jeff ShannonFans of 'A Nightmare Before Christmas', 'Rocky Horror', and 'Hedwig and the Angry Inch' will love Evelyn Evelyn, the world's only conjoined-twin singer-songwriter duo. With a background in circus performance and a wide range of musical influences, the twins compose original timeless songs full of humor, sadness, and double entendre.

The multi-talented sisters move gracefully through genres - from ragtime to 80s power ballad - at times reminiscent of the Andrews Sisters, at others like the soundtrack to a long lost Broadway musical. Their songs range from the country-tinged 'You Only Wany Me 'Cause You Want My Sister' to a heartbreaking ukulele rendition of Joy Division's 'Love Will Tear Us Apart'. Discovered, and richly produced by Amanda Palmer (The Dresden Dolls) and (Seattle cult-musician) Jas! on Webley, this epic album - three long years in the making - is the twins' debut recording.TOUCH THE SOUND - DVD MovieSubtitled "A Sound Journey with Evelyn Glennie," German director Thomas Riedelsheimer's exquisite Touch the Sound is nominally a portrait of the Scottish musician known as "the first full-time solo percussionist." Glennie is certainly a fascinating subject. Profoundly deaf since childhood, she disdains the use of hearing aids and sign language, relying instead on lip reading and, more crucially, on the use of all of her senses, especially touch, to "hear" with her entire body. The film reveals Glennie's extraordinary skills in a variety of settings: playing a snare drum for bemused New Yorkers in cavernous Grand Central Station; improvising with guitarist Fred Frith in an empty warehouse in Cologne, Germany (their final vibes-guitar duet is one of the film's musical highlights); working with hearing-impaired students in her native Aberdeenshire; jamm! ing with taiko drummers in Japan, and later delighting custome! rs in a Tokyo bar with a spontaneous workout involving chopsticks, dishes, cans, and glassware (the woman can make music with virtually anything). But Riedelsheimer, who was also the film's editor and cinematographer, has a broader agenda here--namely, to intensify our awareness of the sounds that surround us everywhere, in every moment. From the streets of New York to the beaches of Santa Cruz, from the rocky Scottish coastline to a tranquil Japanese rock garden, he links heightened audio, as clear and natural as the best ECM recordings, to a succession of gorgeous visual images to create a balance of complex detail and overall sparseness, resulting in a kind of Zen feast. Even more of the same is found in a "making of" featurette that's the highlight of the bonus material, making Touch the Sound easily one of the most rewarding documentaries in recent years. --Sam Graham

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