IMAX: Deep Sea (Single-Disc Blu-ray 3D/Blu-ray Combo)

• IMAX-DEEP SEA 3D BLU-RAY (BLU-RAY DISC)

Filmmaker Howard Hall guides an astonishing adventure that lets you swim alongside our planet’s most exotic creatures in FULL HD on Blu-ray 3D. Johnny Depp and Kate Winslet narrate as Green Sea Turtles gather so Surgeonfish can strip harmful algae from their shells. A Humboldt Squid changes color four times per second like a flashing strobe light. A Mantis Shrimp’s claws have the speed of a bullet in battling a hungry octopus. Brace yourself to be submerged in a wondrous new dimension in home entertainment!The balance of the earth's ecosystems is continually changing and no where is this more apparent than in fascinating world beneath the sea. Narrated by Johnny Depp and Kate Winslet, this 41-minute IMAX film features breathtaking underwater photography from the coral reefs to the cold waters of British Columbia with a focus on underwater inhabitan! ts, their symbiotic relationships, and the ever-shifting balance between predator and prey. While viewing this DVD on even the largest home television screen can't compare with the stories high IMAX theatre experience, underwater footage including a California mantis shrimp fighting off an octopus and a wolf eel eating a sea urchin is riveting in any venue. The footage of the mysterious once-a-year spawning of the coral reef in the Gulf of Mexico can only be described as truly amazing. Enchantment with underwater beauty gives way in the end to a chilling message about man's over-fishing of the sea and his leading role in the unraveling of the sea's delicate ecosystem. (Ages 3 and older) --Tami Horiuchi

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Ty Beanie Baby Alvin, Alvin and the Chipmunks

• Official product from Ty?s wildly popular Beanie Babies Collection
• Look for the familiar heart-shaped tag that means you?ve purchased an authentic Ty product
• Handmade with the finest quality standards in the industry
• Requires no additional gift tag; inside allows you to insert ?TO? and ?FROM? information
• Collect them all

Chipmunk singing sensations Alvin, Simon and Theodore are back for an encore in this hilarious “squeakquel” packed with more action and more nutty fun for the whole family! When a concert mishap lands Dave in the hospital, the Chipmunks take a break from superstardom and enroll in school to fit in with kids their age. But they soon face some stiff competition when they meet the Chipettes â€" a beautiful, talented trio of chipmunks discovered by Ian, the boys’ evil ex-manager! Dave (Jason Lee) isn't exactly the typical father figure with a! n average family, but he cares deeply about his adoptive chipmunks Alvin (Justin Long), Theodore (Jesse McCartney), and Simon (Matthew Gray Gubler). While the performing life presents its own unique challenges, Dave always does his best to instill a sense of compassion and familial love into his young charges. When Alvin begins to get a little too caught up in his own stardom, Dave reminds him to share the spotlight with his fellow chipmunks, but Alvin gets carried away and ends up inadvertently injuring Dave on location in Paris. Aunt Jackie (Kathryn Joosten) steps in to look after the Chipmunks, but when her wheelchair rolls down a flight of stairs, only her irresponsible grandson Toby (Zachary Levi) is left to watch over the boys. An unemployed video gamer who lives with Jackie, Toby is completely unprepared for the responsibility of caring for the Chipmunks, but he agrees nonetheless. Starting school is not easy for the Chipmunks, and they are the target of bullying fro! m their very first day. But Alvin eventually works his way in ! with the popular crowd, leaving Theodore and Simon to fend for themselves with little support from Toby. The school principal (Wendie Malick) is one of the Chipmunks' biggest fans, and when the school's music department is about to be shut down due to lack of funds, she decides to enter them in a competition that will save the music program. Enter the Chipettes--female chipmunks Brittany (Christina Applegate), Eleanor (Amy Poehler), and Jeanette (Anna Faris), who are seeking their own chance for singing stardom--and the Chipmunks' dishonest ex-agent, Ian (David Cross), and the stage is set for some serious backstabbing competition. Craziness reigns as the two groups wage a musical war against one another, but in the end it all comes down to a question of what's more important--stardom or friendship. As in the first Alvin and the Chipmunks movie, the music is strangely appealing despite being performed mostly in falsetto, the characters are cute, the action is comical, and the! life lessons ring true. (Ages 6 and older with parental guidance due to some mild rude humor) --Tami HoriuchiA L V I N ! ! ! ! ! ! ! ! Struggling songwriter Dave Seville (Jason Lee) opens his home to a talented trio of chipmunks named Alvin, Simon and Theodore, they become overnight music sensations. But when a greedy record producer (David Cross) tries to exploit the "boys", Dave must use a little human ingenuity and a lot of 'munk mischief to get his furry family back before it's too late!Families come in many different shapes and sizes, but few humans consider rodents members of the family. Dave Seville (Jason Lee) is no exception, so when this flailing musician finds three young talking chipmunks gorging themselves in his kitchen cupboards, Dave is quick to question his sanity and then toss the offending chipmunks outside into the rain and restore order. When Dave hears the chipmunks singing outside his window, he realizes that that unusual trio might just be th! e world's next vocal sensation and he strikes a bargain with t! hem--the chipmunks can stay with him if they sing his songs. While chipmunks Alvin (Justin Long), Theodore (Jesse McCartney), and Simon (Matthew Gray Gubler) quickly begin to see Dave as a father figure, it's strictly a business arrangement for Dave and he maintains an appropriate emotional distance. Dave's frustration with the chipmunks mounts as they unwittingly wreak havoc on his personal life, but when Dave's old friend and record label mogul Ian (David Cross) begins to exploit the chipmunks for personal gain, Dave suddenly realizes what an important part of his life, and indeed his family, the three chipmunks have become. Hilarity reins in this live action/CGI comedy with many memorable scenes--think chipmunks showering in the dishwasher, riding in remote control planes, and bouncing off the walls under the influence of a serious caffeine buzz. Catchy Chipmunks' songs both new and old promise to lodge themselves in the minds of viewers long after the credits roll and even those! none-too-enchanted with the premise of singing chipmunks can't help but be entertained by this comical film. (Ages 6 and older with parental guidance due to mild rude humor) --Tami HoriuchiAlvin is the life of the party. He has never heard the term "look before you leap". He is funny, impulsive & of course a musical genius. Allllvvviiinnnn...

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Erin Brockovich

• Widescreen

A real woman. A real story. A real triumph. Julia Roberts stars as Erin Brockovich, a feisty young mother who fought for justice any way she knew how. Desperate for a job to support herself and her three children, she convinces attorney Ed Masry (Albert Finney) to hire her, and promptly stumbles upon a monumental law case against a giant corporation. Now, Erin's determined to take on this powerful adversary even though no law firm has dared to do it before. And while Ed doesn't want anything to do with the case, Erin won't take "no" for an answer. So the two begin an incredible and sometimes hilarious fight that will bring a small town to its feet and a huge company to its knees.Much will be made of Julia Roberts's wardrobe in Erin Brockovich--a brash parade of daring hemlines and Wonderbra confidence. Roberts is unabashedly sexy in the title role of this fact-based comedy-d! rama, but she and director Steven Soderbergh are far too intelligent to rely solely on high heels and cleavage. Susannah Grant's brassy screenplay fuels this winning combination of star, director, and material, firing on all pistons with maximum efficiency. With Ed Lachman, his noted cinematographer from The Limey, Soderbergh tackles this A-list project with the fervor of an independent, combining a no-frills look with kinetic panache and the same brisk editorial style he used in the justly celebrated Out of Sight.

Broke and desperate, the twice-divorced single mom Erin bosses her way into a clerical job with attorney Ed Masry (Albert Finney), who's indebted to Erin after failing to win her traffic-injury case. Erin is soon focused on suspicious connections between a mighty power company, its abuse of toxic chromium, and the poisoned water supply of Hinkley, California, where locals have suffered a legacy of death and disease. Matching the dramatic potency! of Norma Rae and Silkwood, Erin Brockovich filte rs cold facts through warm humanity, especially in Erin's rapport with dying victims and her relationship with George (superbly played by Aaron Eckhart), a Harley-riding neighbor who offers more devotion than Erin's ever known. Surely some of these details have been embellished for dramatic effect, but the factual basis of Erin Brockovich adds a boost of satisfaction, proving that greed, neglect, and corporate arrogance are no match against a passionate crusader. (Trivia note: The real Erin Brockovich appears briefly as a diner waitress.) --Jeff Shannon

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Head in the Clouds

• ISBN13: 9780764207563
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

As war clouds gather over Europe, a free-spirited socialite and her two lovers live a life of pleasure and privilege until the Spanish Civil War tears them apart. Starring Charlize Theron and Penelope Cruz.If movies were solely about the cheap pleasure of watching gorgeous people make grand gestures in epic circumstances--because, sure, sometimes movies are--director/screenwriter John Duigan's goopy, obvious, overwrought contemplation of how global unrest really messes with your love life would be Oscar-worthy. Charlize Theron, Stuart Townsend, and Penelope Cruz are headstrong 1930s playthings who each discover that they need to pull their attractive heads out of their inviting behinds if th! ey're going to play a part in stopping the spread of European fascism. Charlize is socialite Gilda, who ensnares both brooding, Cambridge-educated Irishman Townsend and Spanish rebel Cruz (who is particularly ill-defined) in a love triangle while seemingly caring not a whit for the imminent goosesteps of the Nazis. Charlize wears a lot of fabulous outfits, and she and real-life paramour Townsend do impetuous things like sport fedoras while romping in a milky-white bathtub; Cruz, meanwhile, performs a passionate impromptu striptease. Hey, there are worse ways to be entertained. Unfortunately, you don't really give a damn about any of them, and you can predict what's going to happen to all of them well before it actually does. It's an efficient, glamorous, hokey, ultimately downbeat time-killer for anyone willing to spend two hours trying to decide which of the doe-eyed trio you'd save from destruction first. --Steve WieckingAdelaide Proctor is a young woman with her h! ead in the clouds, longing for a real-life storybook hero to c! laim as her own. But when a husband-hunting debacle leaves her humiliated, she interviews for a staid governess position on a central Texas sheep ranch and vows to leave her romantic yearnings behind.

When Gideon Westcott left his privileged life in England to make a name for himself in America's wool industry, he never expected to become a father overnight. And five-year-old Isabella hasn't uttered a word since she lost her mother. The unconventionality of the new governess concerns Gideon--and intrigues him at the same time. But he can't afford distractions. He has a ranch to run, a shearing to oversee, and a suspicious fence-cutting to investigate.

When Isabella's uncle comes to claim the child--and her inheritance--Gideon and Adelaide must work together to protect Isabella from the man's evil schemes. And soon neither can deny their growing attraction. But after so many heartbreaks, will Adelaide be willing to get her head out of the clouds and put her heart o! n the line?

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NaturVet Coprophagia DETERRENT Tablets, 60 Count

• Recommended to help deter dogs from consuming their own stools or other dogs stools.
• Convenient, easy to use.

Deterrence offers a welcome throwback to such sweaty-palmed chamber pieces as Fail-Safe and Twelve Angry Men, and in his debut as writer-director, Rod Lurie, a West Point graduate and former film critic, has crafted a taut, one-set drama that would have been ideal for live television. With its provocative what-if scenario and a sharp cast confined to a claustrophobic space, this movie's more clever than coherent, but it grabs your attention for 103 briskly paced minutes.

The year is 2008, and U.S. President Walter Emerson (Kevin Pollak) has something to prove. He wasn't elected (he took office upon the death of the previous president), and he needs a pivotal boost in a current primary election. While he and his entourage are trapped under heavy snowfal! l in a tiny Colorado diner, Emerson must decide whether to unleash a nuclear arsenal on the son of Saddam Hussein, who has invaded Kuwait and taken hundreds of American lives. With his chief of staff (Timothy Hutton), top advisers, and a cluster of terrified diners, Emerson sorts through his options as tensions come to a boil.

This all works well on the surface, and Deterrence gains depth by depicting a president who is potentially as evil as his unseen enemy. But the film is almost fatally vague (clearly Lurie wants viewers to bring their own interpretation to these events) and ends with a twist that's too contrived to be dramatically satisfying. Until that point, however, Deterrence will certainly keep you engaged. --Jeff ShannonAs a concept, deterrence has launched a thousand books and articles. It has dominated Western strategic thinking for more than four decades. In this important and groundbreaking new book, Lawrence Freedman develops a disti! nctive approach to the evaluation of deterrence as both a stat! e of min d and a strategic option. This approach is applied to post-cold war crisis management, and the utility and relevance of the concept is addressed in relation to US strategic practice post-9/11, particularly in the light of the apparent preference of the Bush Administration for the alternative concept of pre-emption.


The study of deterrence has been hampered by the weight of the intellectual baggage accumulated since the end of the Second World War. Exaggerated notions of what deterrence might achieve were developed, only to be to knocked down by academic critique. In this book, Freedman charts the evolution of the contemporary concept of deterrence, and discusses whether - and how - it still has relevance in today's world. He considers constructivist as well as realist approaches and draws on criminological as well as strategic studies literature to develop a concept of a norms-based, as opposed to an interest-based, deterrence. This book will be essential reading ! for students of politics and international relations as well as all those interested in contemporary strategic thought.RECKONING/DETERRENCE - DVD Movie

As the costs of a preemptive foreign policy in Iraq have become clear, strategies such as containment and deterrence have been gaining currency among policy makers. This comprehensive book offers an agenda for the contemporary practice of deterrenceâ€"especially as it applies to nuclear weaponsâ€"in an increasingly heterogeneous global and political setting.

Moving beyond the precepts of traditional deterrence theory, this groundbreaking volume offers insights for the use of deterrence in the modern world, where policy makers may encounter irrational actors, failed states, religious zeal, ambiguous power relationships, and other situations where the traditional rules of statecraft do not apply. A distinguished group of contributors here examines issues such as deterrence among the Great Powers; the problems of ! regional and nonstate actors; and actors armed with chemical, ! biologic al, and nuclear weapons. Complex Deterrence will be a valuable resource for anyone facing the considerable challenge of fostering security and peace in the twenty-first century.

Coprophagia treatment stops dogs & puppies from consuming their own feces.

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Big Man Japan

• BIG MAN JAPAN (DVD MOVIE)

BIG MAN JAPAN is an outrageous portrayal of an original superhero. As Big Man Japan, Daisato inherited the role of defending Japan against a host of bizarre monsters. He receives high-voltage electroshocks which transform him into a stocky, stick-wielding giant several stories high.
However, where his predecessors were revered as national heroes, he is an outcast among the citizens he protects.

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Lackawanna Blues

• Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is

EVE'S BAYOU (SIGNATURE SERIES) - DVD MovieActress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of! her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonActress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what s! he saw when there is more than one interpretation of the facts! ? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonActress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film! has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonActress Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully gu! arded truth. --Jeff ShannonThe story is set in 1962 Lou! isiana. The big Batiste family is headed by charming doctor Louis. Though he is married to beautiful Roz, he has a weakness for attractive women patients. One day Louis is flirting with married and sexy Metty Mereaux, not knowing that he is observed by his youngest idealistic daughter Eve, who is there by accident. Eve can not forget the incident which is traumatic for her naivete and shares a secret with older sister Cisely. Lies start to roll...Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is a celebration of the good things in life, no matter how tough times may be.

DVD Features:
Audio Commentary:Audio Commentary wi! th director George C. Wolfe and writer Ruben Santiago-Hudson
Deleted Scenes
Featurette

Cool music, a wonderful atmospheric feel, and first-rate performances by a stellar cast distinguish Lackawanna Blues, a 2005, 90-minute film originally broadcast by HBO. Director George C. Wolfe's theater background (as a writer and/or director he's been responsible for The Colored Museum, Jelly's Last Jam, and Bring in Da Noise, Bring in Da Funk) is apparent; adapted by scriptwriter Ruben Santiago-Hudson from his own autobiographical play, Lackawanna Blues is less a story than a reminiscence, told by a young man (an affecting performance by Marcus Carl Franklin) raised by the indefatigable Rachel "Nanny" Crosby (an equally fine turn by S. Epatha Merkerson, known to many from her role in TV's Law & Order) in that upstate New York town. The focus is on Nanny's rooming house, which is populated by all manner of colorful c! haracters (played by the likes of Macy Gray, Jeffrey Wright, a! nd many others, with Jimmy Smits and Carmen Ejogo as the boy's wayward parents). The roomers include drunks, hustlers, ex-cons, and other shady types, but while plenty of bad stuff goes on, it's all coated with a certain patina of sentiment that tends to minimize the hard realities of life for African Americans in the early 1960s. That's fine; Wolfe, with the help of some superb editing by Brian Kates, gives the film such a delightful period vibe that it's easy to overlook its few shortcomings. The music (available on a soundtrack CD), ranging from downhome country blues to uptown swing, jump blues, and more, also makes a major contribution to the delightful diversion that is Lackawanna Blues. --Sam Graham

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Art School Confidential (2005) DVD Widescreen

• DVD
• Widescreen
• Subtitled English, French, Spanish, Portuguese, Chinese
• Dolby Digital

"Art School Confidential" follows talented young artist Jerome Platz (Max Minghella) as he escapes from high school to a tiny East Coast art school. Here the boyish freshman's ambition is to become the world's greatest artist, like his hero Picasso. Unfortunately, the beauty and craft of Jerome's portraiture are not appreciated in an anything-goes art class. Neither his harsh judgments of his classmates' efforts nor his later attempts to create pseudo-art of his own win him any admirers. But Jerome does attract the attentions of his dream girl, the stunning and sophisticated Audrey (Sophia Myles), an artist's model and daughter of a celebrated artist. Rejecting the affectations of the local art scene, Audrey is drawn to Jerome's sincerity. When Audrey shifts her attention to Jonah (M! att Keeslar), a hunky painter who becomes the school's latest art star, Jerome is heartbroken. Desperate, he concocts a risky plan to make a name for himself and win her back.Bitter, misanthropic, yet sometimes blisteringly funny, Art School Confidential is not a movie for everyone. Jerome (Max Minghella, Bee Season) goes to art school in the hopes of having his genuine ability recognized and cherished--but instead, finds his teachers to be self-obsessed has-beens, his peers jaded and floundering, and himself being investigated for a series of gruesome stranglings. He becomes obsessed with a lovely student named Audrey (Sophia Myles, Tristan and Isolde), but she's more interested in hunky Jonah (Matt Keeslar, Splendor), whose crude yet acclaimed paintings of cars and tanks make Jerome want to tear his own eyes out. The crime-thriller plot of Art School Confidential, however, is merely a contrivance to string together a series of caustic di! gs at the shallow, narcissistic, talentless hacks who go to ar! t school in the vain hope of achieving fame, wealth, and sexual abundance with little or no effort. For most viewers, who want to think that people are largely well-intentioned and decent, this will seem snide and cruel; but for some viewers, who believe people are foolish and blinkered, Art School Confidential will seem like an oasis in the arid desert of lies and propaganda about the good side of human nature. If this is your movie, you know who you are, and I encourage you to seek it out as soon as possible. Directed by Terry Zwigoff (Bad Santa) and based on the work of cartoonist Dan Clowes; their previous collaboration was the much warmer Ghost World. Also featuring sharp turns from John Malkovich (Being John Malkovich), Anjelica Huston (Prizzi's Honor), and Jim Broadbent (Moulin Rouge!). --Bret Fetzer

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