Dorian Blues

• Witty, knowing and immensely entertaining, Dorian Blues is a delightfully off-kilter coming-of-age tale from debut writer-director Tennyson Bardwell. Adolescence is proving a pain for Dorian (Michael McMillian). He s an outcast and the butt ofmates jokes at high school, and his football hero brother (Lea Coco) is constantly rescuing him. But everything finally begins to make sense when he realizes

Witty, knowing and immensely entertaining, Dorian Blues is a delightfully off-kilter coming-of-age tale from debut writer-director Tennyson Bardwell. Adolescence is proving a pain for Dorian (Michael McMillian). Hes an outcast and the butt of classmates jokes at high school, and his football hero brother (Lea Coco) is constantly rescuing him. But everything finally begins to make sense when he realizes that hes gay. Before his archconservative dad (Steven C. Fletcher, in a hilarious role) can throw ! him out of the house, hes off to NYU where he encounters a new world of cafes, sophisticates and handsome men but this life proves just as frustrating as his world back home.Like That 70's Show and Napolean Dynamite, director Tennyson Bardwell's debut feature, Dorian Blues, stylishly contemplates the hellishness of high school in the '70s, but through a gay protagonist. Dorian Lagatos (played by Michael McMillan) is raised by Nixon-loving conservatives, and his manly brother is star of the football team, so it's difficult for him to admit, even to himself, that he is gay. Coming-out scenes construct a picture that is wrought by fear made into dry comedy. Dorian cries to himself in the middle of the night, gets beat up in the school halls, falls in love with his male therapist, talks to a dummy in order to practice breaking the news to his father, and tries to learn how to fight his brother when he finds out that Dorian is a "sissy." When Dorian leaves f! or New York, he meets his first boyfriend, and befriends a viv! acious l esbian named El. Scenes in S&M clubs, coffee bars, and New York lofts show Dorian slowly coming to terms with his true identity. The film's opening and closing shots take place at the cemetery during Dorian's father's funeral, accentuating not only the hatred Dorian feels for this stubborn man, but also the anger and fear Dorian harbors for himself. Ultimately, he must obliterate this order to find real happiness. Dorian Blues is a study in self-confidence, made funny by familiar scenes that teenagers struggling to fit in will know all too well.--Trinie Dalton

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James Bond Ultimate Edition - Vol. 1 (The Man with the Golden Gun / Goldfinger / The World Is Not Enough / Diamonds Are Forever / The Living Daylights)

• Box Set

ENOUGH - DVD MovieRidiculous, manipulative, and utterly irresistible, this push-button thriller instantly qualifies as a guilty pleasure, even when you know it's just a B-movie potboiler with moxie to spare. Taking a savvy clue from Ashley Judd's Double Jeopardy and any number of endangered-female melodramas from Hollywood's golden age, Jennifer Lopez stars as a blue-collar beauty who marries the really wrong guy (Billy Campbell). Eventually, of course, she discovers his philandering and spends the rest of the movie in nomadic flight from his hot-tempered brutality. Bankrolled by her estranged father (Fred Ward), she protects her young daughter, but knowing she must face the inevitable showdown with Campbell, she buffs up with Krav Maga self-defense courses and... well, we won't spoil the "surprise." With Campbell doing everything but twirl his mustache, this sham! eless provocation is beneath the talents of director Michael Apted, but with J. Lo in charge, it's a revenge fantasy that's guaranteed to please. --Jeff Shannon

Money has great power in our lives. Used wisely, it is one key to accomplishing our goals, providing for our needs, and fulfilling our life purpose. In recent years, many of us ignored the wisdom of the past when it came to managing and spending our money. Credit card debt soared, savings rates plummeted, and our home equity became something to be tapped into and spent rather than a source of security in retirement. We felt an insatiable desire for more. And we found ourselves spending tomorrow’s money today in order to have what we hoped would satisfy. The result of all of this was not greater happiness and satisfaction, but greater stress and anxiety.

Enough is an invitation to rediscover the Bible’s wisdom when it comes to prudent financial practices. In these pages are found the keys! to experiencing contentment, overcoming fear, and discovering! joy thr ough simplicity and generosity. This book could change your life, by changing your relationship with money.  

“We Americans love our stuff. We’re living in a fast-paced, me-first, instant-gratification world, and it’s finally catching up to us. Debt is out of control, homes are in foreclosure  ... even banks are going out of business. What the world needs today is the message of contentment and simplicity, and that’s exactly what Pastor Adam Hamilton delivers in Enough.”
Dave Ramsey, New York Times Best-Selling Author and Nationally Syndicated Radio Talk Show Host 

“Once again, Adam Hamilton is leading the church; ‘Enough is enough’ was once a Wesleyan watchword. Adam breathes new life into the Wesleyan commitment to simplicity. Amid a culture of greed and conspicuous consumption Adam calls us to a biblically based, evangelical j! oy of having the faith to say ‘enough is enough.’”
Bishop Will Willimon
United Methodist Church, Birmingham Area

“I pay close attention to whatever Adam Hamilton writes. His books are marked by extraordinary pastoral insight, biblical and theological depth, courage to speak the truth, and down-to-earth practicality. Enough comes like an antidote in the middle of a pandemic. I hope that classes, groups, couples, and individuals will use this bookâ€"and the economic crisis it addressesâ€"as a challenge to get healthy again by deepening our discipleship in the vital area of money and possessions.”
Brian McLaren, Author/Networker (brianmclaren.net)

No Description Available.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 16-SEP-2003
Med! ia Type: DVDRidiculous, manipulative, and utterly irresist! ible, th is push-button thriller instantly qualifies as a guilty pleasure, even when you know it's just a B-movie potboiler with moxie to spare. Taking a savvy clue from Ashley Judd's Double Jeopardy and any number of endangered-female melodramas from Hollywood's golden age, Jennifer Lopez stars as a blue-collar beauty who marries the really wrong guy (Billy Campbell). Eventually, of course, she discovers his philandering and spends the rest of the movie in nomadic flight from his hot-tempered brutality. Bankrolled by her estranged father (Fred Ward), she protects her young daughter, but knowing she must face the inevitable showdown with Campbell, she buffs up with Krav Maga self-defense courses and... well, we won't spoil the "surprise." With Campbell doing everything but twirl his mustache, this shameless provocation is beneath the talents of director Michael Apted, but with J. Lo in charge, it's a revenge fantasy that's guaranteed to please. --Jeff ShannonJohn Bogle puts our obsession with financial success in perspective

Throughout his legendary career, John C. Bogle-founder of the Vanguard Mutual Fund Group and creator of the first index mutual fund-has helped investors build wealth the right way and led a tireless campaign to restore common sense to the investment world. Along the way, he's seen how destructive an obsession with financial success can be. Now, with Enough., he puts this dilemma in perspective.

Inspired in large measure by the hundreds of lectures Bogle has delivered to professional groups and college students in recent years, Enough. seeks, paraphrasing Kurt Vonnegut, "to poison our minds with a little humanity." Page by page, Bogle thoughtfully considers what "enough" actually means as it relates to money, business, and life.

• Reveals Bogle's unparalleled insights on money and what we should consider as the true treasures in our lives
• Details the values we should emula! te in our business and professional callings
• Contains thoug! ht-provo king life lessons regarding our individual roles in society

Written in a straightforward and accessible style, this unique book examines what it truly means to have "enough" in world increasingly focused on status and score-keeping.
Amazon.com Exclusive: William J. Bernstein on Enough
William Bernstein, Ph.D., M.D. is the critically acclaimed author, financial theorist and historian whose books include A Splendid Exchange: How Trade Shaped the World, The Birth of Plenty, The Four Pillars of Investing, and The Intelligent Asset Allocator. Bernstein is frequently quoted in national publications, including The Wall Street Journal, Barron's, Money, and Forbes.

If you are wondering about the cause of the current market crisis, th! en you haven't been reading enough of Jack Bogle.

Because he certainly knows not only where, but why and how. For decades Jack has been communicating his disquiet in previous books, speeches, and public testimony. Years from now, when historians and investors dissect the economic and market meltdowns of 2008, they'll consult this slim, well-written volume.

In order to understand the intellectual and moral platform from which he surveys the economic wreckage, you need to know a little of his story. Bogle founded one of the world's great investment companies, the Vanguard Group. Most men in his situation would have levered such success into a multi-billion-dollar net worth; instead, he "mutualized" Vanguard, converting it, in effect, into a nonprofit organization whose only goal was to benefit its fund holders. From an ethical perspective, Vanguard is the only "investment company" worthy of that name. (As opposed to most financial firms, which are in fact "m! arketing companies" whose main purpose is to milk unwitting in! vestors of fees and commissions.)

The answer to the conundrum of 2008 lies in the book’s title, "Enough," which is the punch line from a delightful Kurt Vonnegut/Joseph Heller story. Simply put, our nation has been suffering from decades of unchecked financial excess, for which we are now paying the piper: excess in investment company fees; excess in financial speculation masquerading as diversification and innovation; excess in the salaries of top executives; excess in salesmanship; and most importantly, excess in the role played by the financial industry in our national economy and national life.

Each of these excesses gets its own chapter, and each one is a tightly written gem. Chapters 2 and 3, which dissect out the frenzy of derivatives, structured vehicles, and layers of intermediation behind the recent collapse, alone justify the book's purchase price.

As Bogle states in the book's beginning, in the spring of 2007 the financial services sector--which! , after all, produces nothing of substantive value--accounted for one-third of the earnings of the S&P 500. By the time you read this, this outsized influence will have shrunken drastically. Let Enough be your welcome to the brave new world; it will satisfy your curiosity, give you a sense of moral balance in this most materialistic of ages, and even plump up your investment portfolio.

--William J. Bernstein

---

Product Description

Written by John C. Bogleâ€"the legendary founder of the Vanguard Mutual Fundâ€"Enough. offers his unparalleled insights on money, the values we should emulate in our business and professional callings, and what we should consider as the true treasures in our lives. Inspired in large measure by the hundreds of lectures Bogle has delivered to professional groups and college students in recent years, this book will! help you discover what it really means to have "enough" and h! ow close you are to really having it.Disc 1: *Goldfinger (1964) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Guy Hamilton Audio Commentary Featuring Cast and Crew

Disc 2: **Goldfinger Bonus Disc DECLASSIFIED: MI6 VAULT Sean Connery From the Set of Goldfinger Screen Tests On Tour With the Aston Martin DB-5 Honor Blackman Open-Ended Interview 007 MISSION CONTROL Interactive Guide Into the World of Goldfinger The Making of Goldfinger The Goldfinger Phenomenon Original Publicity Featurette MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications

Disc 3: *The World Is Not Enough (1999) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Michael Apted Audio Commentary Featuring Peter Lamont, David Arnold and Vic Armstrong

Disc 4: **The World Is Not Enough Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes and Alternate Angles With Introductions by Director Mic! hael Apted Alternate Angle, Expanded Angle Scene: The Thames Boat Chase James Bond Down River - Original 1999 Featurette Creating an Icon: Making the Teaser Trailer Hong Kong Press Conference 007 MISSION CONTROL Interactive Guide Into the World of The World Is Not Enough The Making of The World Is Not Enough Bond Cocktail Tribute to Desmond Llewelyn Garbage 'The World Is Not Enough' Music Video The Secrets of 007 MINISTRY OF PROPAGANDA Original Trailer & Photo Gallery

Disc 5: *Diamonds Are Forever (1971) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Guy Hamilton and Members of the Cast and Crew

Disc 6: **Diamonds Are Forever Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes Sean Connery 1971: The BBC Interview Lesson # 007: Close Quarter Combat Deleted Footage - Oil Rig Attack Satellite & Explosions Test Reel Alternate & Expanded Angles 007 007 MISSION CONTROL Interactive Guide Into the World of Diamonds! Are Forever Inside Diamonds Are Forever Cubby Broccoli - Th! e Man Be hind Bond MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications

Disc 7: *The Man With The Golden Gun (1974) **The Man With The Golden Gun Bonus Disc Newly Recorded Audio Commentary Featuring Sir Roger Moore THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Guy Hamilton and Members of the Cast and Crew

Disc 8: DECLASSIFIED: MI6 VAULT Roger Moore and HervÃ(c) Villechaize - The Russell Harty Show On Location With The Man With the Golden Gun Guy Hamilton: The Director Speaks Girls Fighting American Thrill Show Stunt Film The Road to Bond: Stunt Coordinator W.J. Millian Jr. 007 MISSION CONTROL Interactive Guide Into the World of The Man With the Golden Gun Inside The Man With the Golden Gun An Original Documentary Double-O Stuntmen: A Look at the Greatest Stunts and Stunt Performers in the Bond Films MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communicat! ions

Disc 9: *The Living Daylights (1987) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director John Glen and Members of the Cast and Crew

Disc 10: **The Living Daylights Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes With Introduction by John Glen Happy Anniversary, 007 Silver Anniversary Featurettes Timothy Dalton: The New James Bond/Vienna Press Conference Timothy Dalton: On Acting Dalton and d'Abo Interviews The Ice Chase Outtakes - Deleted Footage With Director John Glen Narration 007 MISSION CONTROL Interactive Guide Into the World of The Living Daylights Inside The Living Daylights Ian Fleming: 007's Creator a-ha 'The Living Daylights' Music Video The Making of 'The Living Daylights' Music Video MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications

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Blast From the Past

• BLAST FROM THE PAST (DVD MOVIE)

A rich girl stages her own kidnapping to get attention, and ends up falling in love with a car thief.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 1-JUN-2004
Media Type: DVDAlicia Silverstone was so hot after the success of Clueless that she formed her own production company at the age of 19, and Excess Baggage was the first movie she chose as a starring vehicle. Silverstone plays Emily, a spoiled rich girl who has everything but her father's affection, so she decides to stage her own kidnapping to see if dad will come to his senses and appreciate the daughter he so blindly disregards. But when Emily locks herself in the trunk of her own car, she's surprised when the car is stolen by Vincent (Benicio Del Toro, from Fear and Loathing in Las Vegas), a professional car thief whose part! ner (Harry Connick Jr.) has misplaced $200,000 of the Mob's money. Christopher Walken stars as Emily's "Uncle Ray," who's hot on her trail as she goes on the lam with Vincent. It's not the meandering plot that matters so much as the funny dialogue between Silverstone and Del Toro, who steals his scenes with a smoky mumble and easygoing charm. This one is mostly for Alicia fans, but the film has got enough good laughs and low-key appeal to make it a home-video sleeper. --Jeff ShannonStudio: Sony Pictures Home Ent Release Date: 10/07/2008Alicia Silverstone was so hot after the success of Clueless that she formed her own production company at the age of 19, and Excess Baggage was the first movie she chose as a starring vehicle. Silverstone plays Emily, a spoiled rich girl who has everything but her father's affection, so she decides to stage her own kidnapping to see if dad will come to his senses and appreciate the daughter he so blindly disregards. But ! when Emily locks herself in the trunk of her own car, she's su! rprised when the car is stolen by Vincent (Benicio Del Toro, from Fear and Loathing in Las Vegas), a professional car thief whose partner (Harry Connick Jr.) has misplaced $200,000 of the Mob's money. Christopher Walken stars as Emily's "Uncle Ray," who's hot on her trail as she goes on the lam with Vincent. It's not the meandering plot that matters so much as the funny dialogue between Silverstone and Del Toro, who steals his scenes with a smoky mumble and easygoing charm. This one is mostly for Alicia fans, but the film has got enough good laughs and low-key appeal to make it a home-video sleeper. --Jeff ShannonAlicia Silverstone was so hot after the success of Clueless that she formed her own production company at the age of 19, and Excess Baggage was the first movie she chose as a starring vehicle. Silverstone plays Emily, a spoiled rich girl who has everything but her father's affection, so she decides to stage her own kidnapping to see if dad will c! ome to his senses and appreciate the daughter he so blindly disregards. But when Emily locks herself in the trunk of her own car, she's surprised when the car is stolen by Vincent (Benicio Del Toro, from Fear and Loathing in Las Vegas), a professional car thief whose partner (Harry Connick Jr.) has misplaced $200,000 of the Mob's money. Christopher Walken stars as Emily's "Uncle Ray," who's hot on her trail as she goes on the lam with Vincent. It's not the meandering plot that matters so much as the funny dialogue between Silverstone and Del Toro, who steals his scenes with a smoky mumble and easygoing charm. This one is mostly for Alicia fans, but the film has got enough good laughs and low-key appeal to make it a home-video sleeper. --Jeff ShannonAlicia Silverstone was so hot after the success of Clueless that she formed her own production company at the age of 19, and Excess Baggage was the first movie she chose as a starring vehicle. Silverst! one plays Emily, a spoiled rich girl who has everything but he! r father 's affection, so she decides to stage her own kidnapping to see if dad will come to his senses and appreciate the daughter he so blindly disregards. But when Emily locks herself in the trunk of her own car, she's surprised when the car is stolen by Vincent (Benicio Del Toro, from Fear and Loathing in Las Vegas), a professional car thief whose partner (Harry Connick Jr.) has misplaced $200,000 of the Mob's money. Christopher Walken stars as Emily's "Uncle Ray," who's hot on her trail as she goes on the lam with Vincent. It's not the meandering plot that matters so much as the funny dialogue between Silverstone and Del Toro, who steals his scenes with a smoky mumble and easygoing charm. This one is mostly for Alicia fans, but the film has got enough good laughs and low-key appeal to make it a home-video sleeper. --Jeff ShannonAlicia Silverstone was so hot after the success of Clueless that she formed her own production company at the age of 19, and Exce! ss Baggage was the first movie she chose as a starring vehicle. Silverstone plays Emily, a spoiled rich girl who has everything but her father's affection, so she decides to stage her own kidnapping to see if dad will come to his senses and appreciate the daughter he so blindly disregards. But when Emily locks herself in the trunk of her own car, she's surprised when the car is stolen by Vincent (Benicio Del Toro, from Fear and Loathing in Las Vegas), a professional car thief whose partner (Harry Connick Jr.) has misplaced $200,000 of the Mob's money. Christopher Walken stars as Emily's "Uncle Ray," who's hot on her trail as she goes on the lam with Vincent. It's not the meandering plot that matters so much as the funny dialogue between Silverstone and Del Toro, who steals his scenes with a smoky mumble and easygoing charm. This one is mostly for Alicia fans, but the film has got enough good laughs and low-key appeal to make it a home-video sleeper. --Jeff Sha! nnonStudio: New Line Home Video Release Date: 11/09/2010C! oasting on the successes of Gods and Monsters and George of the Jungle, Brendan Fraser turns in yet another winning performance in this fish-out-of-water comedy in which Pleasantville meets modern-day Los Angeles, with predictably funny results. Fraser stars as Adam, who was born in the bomb shelter of his paranoid inventor dad (a less-manic-than-usual Christopher Walken), who spirited his pregnant wife (Sissy Spacek, in fine comic form) underground when he thought the Communists dropped the bomb (actually, it was a plane crash). Armed with enough supplies to last 35 years, the parents bring up Adam in Leave It to Beaver style with nary any exposure to the outside world. When the supplies run out, and dad suffers a heart attack, Fraser goes up to modern-day L.A. for some shopping and long-awaited culture shock. More of a cute premise with lots of clever ideas attached than a fully fleshed out story, Blast from the Past is also supposed to be part romantic! comedy, as the hunky Adam hooks up with his jaded Eve (Alicia Silverstone) and tries to convince her to marry him and go underground. The sparks don't fly, though, because Silverstone is saddled with the triple whammy of being miscast, playing an underwritten character, and suffering a very bad hairdo. Fraser, however, carries the film lightly and easily on his broad, goofy shoulders, mixing Adam's gee-whiz innocence with genuine emotion and curiosity; only Fraser could pull off Adam's first glimpse of a sunrise or the ocean with both humor and pathos. Also winning is Dave Foley as Silverstone's gay best friend, who manages to make the most innocuous statements sound like comic gems. --Mark Englehart

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The Butterfly Effect: How Your Life Matters

• ISBN13: 9781404187801
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A father watches his daughters lovingly care for a squirmy gang of caterpillars. When they morph into butterflies, the girls witness the true meaning of life... unfortunately. A short story by Scott Semegran.A father watches his daughters lovingly care for a squirmy gang of caterpillars. When they morph into butterflies, the girls witness the true meaning of life... unfortunately. A short story by Scott Semegran.

The decisions you make and the way you treat others have more impact than you may ever realize.

Speaker and New York Times best-selling author Andy Andrews shares a compelling and powerful story about a decision one man made over a hundred years ago, and the ripple effect it! 's had on us individually, and nationwide, today. It's a story that will inspire courage and wisdom in the decisions we make, as well as affect the way we treat others through our lifetime. Andrews speaks over 100 times a year, and The Butterfly Effect is his #1 most requested story. 

Also included with the purchase of the book is a link to view a 9-minute message of Andrews telling The Butterfly Effect story to a live audience.

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Brick

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Brendan Frye is a loner, someone who knows all the angles but has chosen to stay on the outside. When the girl he loves turns up dead, he is determined to find the "who" and "why" and plunges into the dark and dangerous social strata of rich girl Laura, intimidating Tug, drug-addled Dode, seductive Kara, and the ominous Pin. But who can he really trust? These are the ingredients of Brick, a gritty and provocative thriller that critics describe as "a clever, twist-filled whodunit!" (Claudia Puig, USA Today) High school collides with hard-boiled film noir in the twisty, cunning Brick. When he gets a mysterious message from his ex-girlfriend, a high school loner named Brendan (Joseph Gordon-Levitt, Mysterious Skin) starts to dig into a crisscrossed web of drugs and duplicity, eventually ! getting entwined in the criminal doings of a teenage crime lord known as the Pin (Lukas Haas), his thuggish henchman Tugger (Noah Fleiss, Joe the King), and a mysterious girl named Laura (Nora Zehetner, Fifty Pills). Brick has not only the seductive, labyrinthine plot of a crime thriller by Dashiell Hammett (The Maltese Falcon) or Raymond Chandler (Farewell, My Lovely) but also a dense high-school version of hard-boiled lingo that's both comic and poetic. The movie unfolds with headlong momentum as Brendan manipulates, fights, and staggers his way through layers of high-school society. Gordon-Levitt is excellent; between this and the equally compelling Mysterious Skin, he's left his 3rd Rock from the Sun days behind. Also featuring Meagan Good (Waist Deep) and Richard Roundtree (Shaft). --Bret Fetzer

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Dead & Buried (Limited Edition)

• DEAD & BURIED LIMITED EDITION 2-DISC (DVD MOVIE)

Paul Conroy is not ready to die. But when he wakes up six feet underground with no idea of who put him there or why, life for the truck driver and family man instantly becomes a hellish struggle for survival. Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited. Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time; fighting panic, despair and delirium, Paul has only ninety minutes to be rescued before his worst nightmare comes true.Alfred Hitchcock, eat your heart out. Sure, the master of suspense set himself some tough challenges with limited scenarios: Lifeboat took place entirely within the title craft, Rear Window d! idn't stray from Jimmy Stewart's apartment, and Rope stuck mostly to an unbroken take. But Spanish director Rodrigo Cortés wants to do the master one better: Buried is set inside a coffin, buried beneath a few feet of immovable earth. Paul Conroy (Ryan Reynolds) wakes up inside the coffin, a cell phone and lighter next to him; for the next 90 minutes, we won't leave the narrow space of that wooden box. No cheats: no flashbacks to Paul's past, no cross-cutting with efforts to free him. Cortés sticks to the rules and follows his story out to its conclusion, and in the process he must think of every possible way to shoot and light someone in a confined space. Seems Paul was in Iraq as a non-military truck driver when he got caught in some crossfire, and somebody wants to make a point. The cell phone allows him to speak, and try to puzzle out what's happening, but except for the voices on the other end, this is entirely Ryan Reynolds's show. The actor is up for ! it: although he can't use his body, he calls on both his actio! n-movie chops and (at certain exasperating moments) his comic talents. By definition, this is a bravura turn, and Reynolds comes through firing on all cylinders. Buried is an exercise, but it manages to sneak in a few sly suggestions about the nature of an American's presence in the Middle East. It even earns points for an excellent credits sequence--a clever nod to Hitchcock classics. Somehow you suspect the master would approve. --Robert HortonFrom Matt Reeves â€" the director of Cloverfield â€" comes the new vampire classic that critics are calling “chillingly real” (Scott Bowles, USA Today), “one of the best horror films of the year” (Cinematical) and “a haunting, touching and unforgettable thriller” (Pete Hammond, Boxoffice Magazine). In bleak New Mexico, a lonely, bullied boy, Owen (Kodi Smit-McPhee of The Road), forms a unique bond with his mysterious new neighbor, Abby (Chloë Grace Moretz of Kick-Ass), who moves from town to town with the man who ! appears to be her father (Oscar® Nominee Richard Jenkins of The Visitor). Trapped in the mind and body of a child, however, Abby is forced to hide a horrific secret of bloodthirsty survival. But in a world of both tenderness and terror, how can you invite in the one friend who may unleash the ultimate nightmare?

Based on the Swedish novel, Let the Right One In, “Let Me In is a dark and violent love story, a beautiful piece of cinema and a respectful rendering of my novel for which I am grateful.” (John Ajvide Lindqvist, author) Let Me In blends the innocent face of Chloe Grace Moretz (Kick-Ass) with the darkness of vampirism. A young boy named Owen (Kodi Smit-McPhee, The Road) has troubles at home (his parents are divorcing) and at school (bullies pick on him mercilessly). But when a mysterious girl named Abby (Moretz) moves in next door, Owen hopes he's found a friend, even though she smells a little strange. Unfortunately, his new! friend needs blood to live, and the man who seems to be her f! ather (R ichard Jenkins, Six Feet Under) goes out to drain local residents to feed her. But even as Owen starts to suspect something is wrong, having a real friend might just matter more. Because the Swedish film adaptation of the novel Let the Right One In (on which Let Me In is based) was surprisingly popular and critically acclaimed, it's going to be hard for Let Me In to avoid comparisons. Surprisingly, it retains much of the flavor and spirit of the original. It's not as understated--this is an American movie, after all--and some of the creepiness is lost along with that subtlety. Despite that, Let Me In has its own spookiness and the performances (including Elias Koteas, Zodiac, as a local policeman) are strong. Directed by Matt Reeves (Cloverfield). --Bret FetzerDEAD AND BURIED - DVD MovieOverlooked during its theatrical run but a cult favorite on video, this unique and chilling take on the zombie film finally joins the d! igital ranks with a two-DVD set from Blue Underground. James Farentino stars as a small-town sheriff who discovers that the victims in a string of grisly murders are reappearing seemingly alive and unharmed. His investigation leads him to suspect that the local mortician (Jack Albertson) is somehow responsible for these reanimated corpses; what Farentino doesn't know is the extent to which the entire town-himself included-is involved. First-time viewers will appreciate director Gary Sherman's attention to pacing and atmosphere, as well as the often darkly humorous script by co-producer Ronald Shusett and Dan O'Bannon (Alien, Total Recall) and the solid cast (which includes future horror star Robert Englund); longtime fans will appreciate the fact that Blue Underground's uncut print restores many of Stan Winston's gruesome special effects. --Paul Gaita

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Harold and Kumar Escape From Guantanamo Bay (Unrated Two-Disc Special Edition)

• On their flight to Amsterdam Harold and Kumar are mistaken for terrorists and sent to Guantanamo Bay. but not for long. They bust out and go on a cross-country road trip to clear their names and win over their hotties! But first they'll have to outsmart the Feds outrun the Klan and enlist the help of a hallucinating Neil Patrick Harris. It's one wild ride with America's most wanted - and most was

Studio: New Line Home Video Release Date: 07/29/2008 Rating: UrBeginning precisely where Harold & Kumar Go to White Castle left off, Harold & Kumar Escape from Guantanamo Bay takes the film franchise in a more boorish and spuriously topical direction. Harold (John Cho) and Kumar (Kal Penn) take an ill-fated flight to Amsterdam, during which Kumar's suspicious-looking bong is mistaken for a bomb. Their arrest prompts a wild-eyed, racist Homeland Security nut (Rob Corddry) to send the b! oys to indefinite lockup at Guantanamo Bay, where beefy guards sexually subjugate "enemy combatants." The duo manage to get away and make it back to the U.S., hoping the well-connected fiance (Eric Winter) of Kumar's old girlfriend, Vanessa (Danneel Harris), can get them out of their mess. During a dangerous and grotesque odyssey to Texas (where Vanessa is marrying her rich and vain boyfriend, much to Kumar's dismay), Harold and Kumar have episodic encounters with the Ku Klux Klan, a one-eyed, inbred monster, and old friend Neil Patrick Harris (as himself), who swallows fistfuls of magic mushrooms and drags the boys to a brothel stop that goes terribly wrong.

The desultory comedy strikes a lowbrow tone from its opening scene (Harold takes a shower while Kumar has a diarrhea attack) and doesn't get much more interesting than that. If there's a bodily fluid that doesn't rate a joke in Guantanamo Bay, it doesn't exist. The persistent sight gags about weed (including! a smoky visit with President Bush) never reach the kind of gi! ddy pitc h that pot humor requires, leaving a lot of the film's comedy just hanging like dead space. The sequel's attempt to say something, albeit in a gross way, about the state of the country during the Bush years is obvious and empty. Really, there isn't a lot of reason for Guantanamo Bay to have been made, except to print money. --Tom Keogh

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