How the Grinch Stole Christmas

• Condition: New
• Format: DVD
• Animated; Closed-captioned; Color; DVD; Full Screen; NTSC

Every who down in Who-ville likes Christmas a lot, but the Grinch who lived just north of Who-ville did NOT! So the cuddly as a cactus Grinch (with termites in his smile and garlic in his soul) tries to wipe out Christmas for the cheerful Who-villains, only to discover: maybe Christmas, he thought doesn't come from as store. Maybe Christmas perhaps means a little bit more! Magnificently narrated by Boris Karloff and animated by cartoon legend Chuck Jones, it's an award-winning Who-roast-beast-feast of a holiday classic!Accept no substitutes. The 1966 television adaptation of Dr. Seuss' timeless book How the Grinch Stole Christmas!--about an anti-Santa who tries to heist the holiday only to learn a powerful lesson--is a classic in its own right, and looking better than ever in its 50th B! irthday Deluxe Edition. (For those doing the math, the 50 years is counting from the book's 1957 publishing date rather than the show's broadcast date.) The most significant improvement is in the digital transfer, cleaning up fuzz and specks and restoring the proper colors to the program. While the awful earlier DVDs showed the Grinch in a mustard-yellow color, this edition restores his proper green gleam. Special features are mostly ported over from the previous DVD--the Horton Hears a Who program, a featurette on the songs, Phil Hartman's special edition version, pencil tests, etc. minus the commentary track--but there is a new 15-minute featurette, "Dr. Seuss and the Grinch: From Whoville to Hollywood." While it starts out as a fluff piece aimed at the younger set (interviews with kids, some rapping), it does provide some interesting information, including interviews with the widows of Theodore Geisel and Chuck Jones and clips of Geisel and Jones' Private Snaf! u. (No mention of Jim Carrey, however.) --David Horiuc! hi

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Capezio Daisy 205 Ballet Shoe (Toddler/Little Kid),Ballet Pink,12.5 M US Little Kid

• See size chart to verify correct sizing

Capezio Daisy ballet pink ballet features premium leather, cotton daisy print lining, ID tag and anchored drawstring and attached elastic straps. Sizing: Order same as street shoe.

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Stardust... The Great American Songbook, Vol. III

• Rod Stewart - Stardust... The Great American Songbook I

CD > POPULAR MUSIC > ROCKIt's a little hard to take Rod Stewart seriously when, on the first track of this third installment in his Great American Songbook series, he sings ruefully about his love life being "lean" ("Embraceable You"). But otherwise, Stardust...Volume III is as note-for-note solid as its predecessors--a cozy-up-to-the-fire treat that's also a pleasant reminder of these songs' staying power. "S'Wonderful" settles on the ears winningly, and Stewart's scratchathon voice scalpels the cobwebs off of "Isn't It Romantic" in a way that compels the average listener to reconsider thinking it dopey. In addition, the parade of high-wattage pals recruited to pitch in continues here, resulting in a couple of must-hear combinations. Eric Clapton delivers a rather un-Clapton-like guitar solo on "Blue Moon" and Stevie Wonde! r blows harp like he means it on "What a Wonderful World," but it is the duets--"Baby It's Cold Outside" with the unsinkable Dolly Parton and "Manhattan" with the indomitable Bette Midler--that the dazzle most. --Tammy La Gorce

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Alexander, Revisited - The Final Cut [Blu-ray]

• Now available is an all new and completely unrated version of Oliver Stone's incredible epic film, loaded with nearly 40 minutes of additional never-before-seen footage, that takes the film to a new level of realism and intensity. Restructured and expanded into two acts with one intermission, Oliver Stone's vision is delivered the way he originally conceived and intended. With the new, unrated and

Now available is an all new and completely unrated version of Oliver Stone's incredible epic film, loaded with nearly 40 minutes of additional never-before-seen footage, that takes the film to a new level of realism and intensity. Restructured and expanded into two acts with one intermission, Oliver Stone's vision is delivered the way he originally conceived and intended. With the new, unrated and graphic battle scenes and unadulterated sensuality, it's the movie you couldn't see in theatres, now av! ailable on DVD for the very first time!

DVD Features:
Introduction
Theatrical Trailer

For better or worse (and in this case, it's mostly for better), Oliver Stone's Alexander Revisited should stand as the definitive version of Stone's much-maligned epic about the great Asian conqueror. Following the DVD release of his previous Director's Cut, Stone offers a video introduction here, explaining why he felt a third and final attempt at refining his film was necessary. Essentially, he's using this opportunity to re-create the "road show" format of the Biblical epics of the 1950s and '60s, with a three-and-a-half-hour running time (with an intermission at the two-hour mark) including 45 minutes of previously unseen footage. Stone has also significantly restructured the film, resulting in substantial (if not exactly redemptive) improvements in its narrative flow. Alexander (played in a torrent of emotions by Colin Farrell) is dying as th! e film opens, his final moments serving to bookend the film's ! epic sto ry, which incorporates flashback sequences to flesh out the Macedonian king's back-story involving the turbulent battle of fate between his father, King Philip (Val Kilmer) and his scheming sorceress mother Olympia (Angelina Jolie, ridiculous accent and all), who insists that Alexander is literally a child of the gods.

In Stone's final cut, epic battles remain chaotic (although Alexander's strategy is somewhat easier to follow, with on-screen titles indicating left, right, and center during his army's greatest maneuvers) and the ultra-violent battles are more graphically gory than ever (hence their "unrated" status). The animalistic lovemaking of Alexander and his barbarian bride Roxana (Rosario Dawson) is slightly extended (with Dawson as ravishing as ever), and Stone's additional footage also improves the overall arc of Alexander's relationship with his closest generals and male companions, although his most intimate homosexual encounters remain mostly discreet.! As Alexander Revisited makes clear, the film's weaknesses remain unavoidable, but Stone deserves credit for recognizing how a longer running time, and more disciplined narrative structure, would bring Alexander closer to the respect it never earned from critics and filmgoers alike. This is unquestionably a better film than it used to be, leaving us to wonder why it took three separate efforts to shape Alexander into its best possible presentation. --Jeff Shannon

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Blood into Wine

• Extended Interviews
• Alternate Scenes
• Deleted Scenes
• Never before seen concert footage
• Wine Documentary

For wine dealer Alex Gates (Jack Nicholson) it hasn't been a vintage year-his business is on the rocks as is his marriage to Suzanne (Judy Davis). His stepson, Jason (Stephen Dorff), hates him, and his mistress, Gabrielle (Jennifer Lopez), is asking for a commitment. In desperation, Alex conspires with his safecracker buddy, Victor (Michael Caine), to steal a million dollar diamond necklace from a wealthy client.You can feel the gears grinding, trying to turn this attempt at film noir into something sleek and insinuating, instead of the labored near miss it turns out to be. Jack Nicholson is a Florida wine merchant whose business isn't as good as he has his unhappy wife (Judy Davis) believe. He's also consistently at odds with his churlish stepson (Stephen D! orff). Meanwhile, Nicholson is plotting to steal an expensive diamond necklace and dump his wife, aided by his mistress (Jennifer Lopez) and a sleazy safecracker (Michael Caine). It's the kind of thing James M. Cain used to toss off effortlessly, but in director Bob Rafelson's hands the strain shows at every seam as crime and romantic treachery put all of the characters on a violent collision course. --Marshall FineStudio: Channel Sources Dist Release Date: 09/07/2010

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Willy Wonka & the Chocolate Factory (Full Screen Special Edition)

• Fantasy Adventure. Acclaimed director Tim Burton brings his vividly imaginative style to the beloved Roald Dahlic Charlie and the Chocolate Factory, about eccentric chocolatier Willy Wonka (Depp) and Charlie, a good-hearted boy from a poor family who lives in the shadow of Wonka's extraordinary factory. Long isolated from his own family, Wonka launches a worldwide contest to select an heir to his

Fantasy Adventure. Acclaimed director Tim Burton brings his vividly imaginative style to the beloved Roald Dahl classic Charlie and the Chocolate Factory, about eccentric chocolatier Willy Wonka (Depp) and Charlie, a good-hearted boy from a poor family who lives in the shadow of Wonka's extraordinary factory. Long isolated from his own family, Wonka launches a worldwide contest to select an heir to his candy empire. Five lucky children, including Charlie, draw golden tickets from Wonka chocolate bars! and win a guided tour of the legendary candy-making facility that no outsider has seen in 15 years. Dazzled by one amazing sight after another, Charlie is drawn into Wonka's fantastic world in this astonishing andenduring story.Mixed reviews and creepy comparisons to Michael Jackson notwithstanding, Tim Burton's splendidly imaginative adaptation of Charlie and the Chocolate Factory would almost surely meet with Roald Dahl's approval. The celebrated author of darkly offbeat children's books vehemently disapproved of 1971's Willy Wonka and the Chocolate Factory (hence the change in title), so it's only fitting that Burton and his frequent star/collaborator, Johnny Depp, should have another go, infusing the enigmatic candyman's tale with their own unique brand of imaginative oddity. Depp's pale, androgynous Wonka led some to suspect a partial riff on that most controversial of eternal children, Michael Jackson, but Burton's film is too expansively magnificent to! be so narrowly defined. While preserving Dahl's morality tale! on the hazards of indulgent excess, Burton's riotous explosion of color provides a wondrous setting for the lessons learned by Charlie Bucket (played by Freddie Highmore, Depp's delightful costar in Finding Neverland), as he and other, less admirable children enjoy a once-in-a-lifetime tour of Wonka's confectionary wonderland. Elaborate visual effects make this an eye-candy overdose (including digitally multiplied Oompa-Loompas, all played by diminutive actor Deep Roy), and the film's underlying weirdness is exaggerated by Depp's admirably risky but ultimately off-putting performance. Of course, none of this stops Burton's Charlie from being the must-own family DVD of 2005's holiday season, perhaps even for those who staunchly defend Gene Wilder's portrayal of Wonka from 34 years earlier. --Jeff ShannonWilly Wonka's famous chocolate factory is opening at last! But only five lucky children will be allowed inside. And the winners are: Augustus Gloop, Veruca Salt,! Violet Beauregarde, Mike Teavee, and Charlie Bucket, Our Hero, a boy who is honest and kind, brave and true, and good and ready for the wildest time of his life!Charlie and the Chocolate Factory and its sequel, Charlie and the Great Glass Elevator, along with Roald Dahl's other tales for younger readers, make him a true star of children's literature. Dahl seems to know just how far to go with his oddball fantasies; in Charlie and the Chocolate Factory, for example, nasty Violet Beauregarde blows up into a blueberry from sneaking forbidden chewing gum, and bratty Augustus Gloop is carried away on the river of chocolate he wouldn't resist. In fact, all manner of disasters can happen to the most obnoxiously deserving of children because Dahl portrays each incident with such resourcefulness and humor.

Charlie and the Chocolate Factory is a singular delight, crammed with mad fantasy, childhood justice and revenge, and as much candy ! as you can eat. The book is also available in Spanish (Char! lie y la Fabrica de Chocolate). (The suggested age range for this book is 9-12, but nobody this reviewer has met can resist it, including New York City bellhops, flight attendants, and grumpy teenagers.) A poor little boy wins a ticket to visit the inside of a mysterious and magical chocolate factory. When he experiences the wonders inside the factory, the boy discovers that the entire visit is a test of his character.Having proven itself as a favorite film of children around the world, Willy Wonka & the Chocolate Factory is every bit as entertaining now as it was when originally released in 1971. There's a timeless appeal to Roald Dahl's classic children's novel, which was playfully preserved in this charming musical, from the colorful carnival-like splendor of its production design to the infectious melody of the "Oompah-Loompah" songs that punctuate the story. Who can forget those diminutive Oompah-Loompah workers who recite rhyming parental warnings ("Oompah-Loom! pah, doopity do...") whenever some mischievous child has disobeyed Willy Wonka's orders to remain orderly? Oh, but we're getting ahead of ourselves ... it's really the story of the impoverished Charlie Bucket, who, along with four other kids and their parental guests, wins a coveted golden ticket to enter the fantastic realm of Wonka's mysterious confectionery. After the other kids have proven themselves to be irresponsible brats, it's Charlie who impresses Wonka and wins a reward beyond his wildest dreams. But before that, the tour of Wonka's factory provides a dazzling parade of delights, and with Gene Wilder giving a brilliant performance as the eccentric candyman, Wonka gains an edge of menace and madness that nicely counterbalances the movie's sentimental sweetness. It's that willingness to risk a darker tone--to show that even a wonderland like Wonka's can be a weird and dangerous place if you're a bad kid--that makes this an enduring family classic. --Jeff ! ShannonSummary:
0

About the Author:
• 0
Author: Roald Dahl
Illustrator:0
Publisher:Knopf Books for Young Readers
Published Date:09/11/2001
Format:Hardcover
ISBN:0375815597
#of pages:#N/A
Deliciously madcap mayhem and out-of-this-world fantasy--this is what you'll find within the casing of this boxed set of two of Roald Dahl's most brilliant creations: Charlie and the Chocolate Factory and Charlie and the Great Glass Elevator.

For decades, delighted readers of all ages have explored Willy Wonka's fabulous chocolate factory, met the Oompa Loompas, and sampled the chocolate river along with Augustus Gloop. And later, they have zoomed off into the stratosphere in the most remarkable elevator ever created. Now, a new generation of readers barely needs to pause between the first and the second of Roald Dahl's masterful volumes. Hardcover editions of each title, illustrated of course by the incomparable Quentin Blake, are tucked in a hand! y cardboard sleeve, ready for the next set of hungry eyes. Sadly, the convenience of the set is counterbalanced by the poor quality of the paper used for the books. Classics like these deserve thick, creamy, opaque pages; not the flimsy, rough, semitransparent sheets used here. (Ages 7 and older) --Emilie Coulter

Features include:

•MPAA Rating: PG
•Format: Blu-Ray
•Runtime: 115 minutes
Mixed reviews and creepy comparisons to Michael Jackson notwithstanding, Tim Burton's splendidly imaginative adaptation of Charlie and the Chocolate Factory would almost surely meet with Roald Dahl's approval. The celebrated author of darkly offbeat children's books vehemently disapproved of 1971's Willy Wonka and the Chocolate Factory (hence the change in title), so it's only fitting that Burton and his frequent star/collaborator, Johnny Depp, should have another go, infusing the enigmatic candyman's tale with their own ! unique brand of imaginative oddity. Depp's pale, androgynous W! onka led some to suspect a partial riff on that most controversial of eternal children, Michael Jackson, but Burton's film is too expansively magnificent to be so narrowly defined. While preserving Dahl's morality tale on the hazards of indulgent excess, Burton's riotous explosion of color provides a wondrous setting for the lessons learned by Charlie Bucket (played by Freddie Highmore, Depp's delightful costar in Finding Neverland), as he and other, less admirable children enjoy a once-in-a-lifetime tour of Wonka's confectionary wonderland. Elaborate visual effects make this an eye-candy overdose (including digitally multiplied Oompa-Loompas, all played by diminutive actor Deep Roy), and the film's underlying weirdness is exaggerated by Depp's admirably risky but ultimately off-putting performance. Of course, none of this stops Burton's Charlie from being the must-own family DVD of 2005's holiday season, perhaps even for those who staunchly defend Gene Wilder's portrayal of ! Wonka from 34 years earlier. --Jeff Shannon

DVD features
The second disc is filled with a number of distinctive featurettes. The likely crowd-pleaser in most households is "Attack of the Squirrels," which recounts how those fuzzy little creatures (a combination of hard-to-train live animals, animatronics, and computer graphics) can be ornery in their own right. "The Fantastic Mr. Dahl" is a 17-minute look at author Roald Dahl through vintage footage and new interviews with family, friends, and colleagues. "Becoming Oompa-Loompa" follows Deep Roy as he is filmed over and over again through his dance steps and music performances.

Roy is a constant throughout the kids' activities as well. You can follow him to learn two different dance steps "Augustus Gloop" and "Violet Beauregarde," and make him taste weird candy inventions in a simple game. "Search for the Golden Ticket" is a five-part challenge that tests your remote-control fingers, your deducti! ve abilities, or your luck. Finally, if you just want basic be! hind-the -scenes information, "Making the Mix" is a collection of featurettes (around 40 minutes total) covering the film's casting, music, production design, and special effects. --David HoriuchiWe recommend you read this unit on your kindle machine with a 1 font for best viewing
This unit study offers many wonderful activities to use while having students read the book. There are between 6 and 10 lessons. Activities in this lesson include Fill in the Blank, Multiple Choice, True and False, Comprehension, Encyclopedia Skills Activity, Journal Activity, Vocabulary, Sequencing, Handwriting, Main Idea, Prediction, Comparison

Literature Skills Activities including: Main Character, Main Setting, Main Problem, Possible Solutions, Character Traits, Character Interaction, Cause and Effect, Description, Pyramid of Importance, Villain vs. Hero.

Creative Writing Activities including: Letter, Fairy Tale, Mystery, Science Fiction, Fable, Dream or Nightmare, Tall! Tale, Memoir, Newberry Award, A Different Ending.

Writing Skills Activities including: Description, Expository, Dialogue, Process, Point of View, Persuasion, Compare and Contrast, Sequel, Climax and Plot Analysis.

Poetry Skills Activities including: Couplet, Triplet, Quinzain, Haiku, Cinquain, Tanka, Diamanté, Lantern and Shape Poem.

Create a Newspaper Layout Activities including: Editorial, Travel, Advice Column, Comics, Society News, Sports, Obituary, Weddings, Book Review, Want Ads, Word Search.

Poster Board Activities including: Collage, Theater Poster, Wanted Poster, Coat of Arms, Story Quilt, Chalk Art, Silhouette, Board Game Construction, Door Sign, Jeopardy.

We also offer more activities including instructions for a lapbook at our home site. If you purchase this unit study and let us know by sending us proof of purchase, we will download this unit in PDF version to you which has more activities and the lapb! ook instructions.

We recommend you read this unit o! n your k indle machine with a 1 font for best viewing
This unit study offers many wonderful activities to use while having students read the book. There are between 6 and 10 lessons. Activities in this lesson include Fill in the Blank, Multiple Choice, True and False, Comprehension, Encyclopedia Skills Activity, Journal Activity, Vocabulary, Sequencing, Handwriting, Main Idea, Prediction, Comparison

Literature Skills Activities including: Main Character, Main Setting, Main Problem, Possible Solutions, Character Traits, Character Interaction, Cause and Effect, Description, Pyramid of Importance, Villain vs. Hero.

Creative Writing Activities including: Letter, Fairy Tale, Mystery, Science Fiction, Fable, Dream or Nightmare, Tall Tale, Memoir, Newberry Award, A Different Ending.

Writing Skills Activities including: Description, Expository, Dialogue, Process, Point of View, Persuasion, Compare and Contrast, Sequel, Climax and Plot Analysis.

Poetry ! Skills Activities including: Couplet, Triplet, Quinzain, Haiku, Cinquain, Tanka, Diamanté, Lantern and Shape Poem.

Create a Newspaper Layout Activities including: Editorial, Travel, Advice Column, Comics, Society News, Sports, Obituary, Weddings, Book Review, Want Ads, Word Search.

Poster Board Activities including: Collage, Theater Poster, Wanted Poster, Coat of Arms, Story Quilt, Chalk Art, Silhouette, Board Game Construction, Door Sign, Jeopardy.

We also offer more activities including instructions for a lapbook at our home site. If you purchase this unit study and let us know by sending us proof of purchase, we will download this unit in PDF version to you which has more activities and the lapbook instructions.

Charlie and Willy Wonka are back, this time in a fantastic journey to outer space in their glass elevator.Picking right up where Charlie and the Chocolate Factory left off, Charlie and the Great Glass Elevator! continues the adventures of Charlie Bucket, his family, and ! Willy W onka, the eccentric candy maker. As the book begins, our heroes are shooting into the sky in a glass elevator, headed for destinations unknown. What follows is exactly the kind of high-spirited magical madness and mayhem we've all come to expect from Willy Wonka and his creator Roald Dahl. The American space race gets a send-up, as does the President, and Charlie's family gets a second chance at childhood. Throw in the Vermicious Knids, Gnoolies, and Minusland and we once again witness pure genius. (Ages 9 to 12)Fantasy Adventure. Acclaimed director Tim Burton brings his vividly imaginative style to the beloved Roald Dahl classic Charlie and the Chocolate Factory, about eccentric chocolatier Willy Wonka (Depp) and Charlie, a good-hearted boy from a poor family who lives in the shadow of Wonka's extraordinary factory. Long isolated from his own family, Wonka launches a worldwide contest to select an heir to his candy empire. Five lucky children, including Charli! e, draw golden tickets from Wonka chocolate bars and win a guided tour of the legendary candy-making facility that no outsider has seen in 15 years. Dazzled by one amazing sight after another, Charlie is drawn into Wonka's fantastic world in this astonishing andenduring story.Mixed reviews and creepy comparisons to Michael Jackson notwithstanding, Tim Burton's splendidly imaginative adaptation of Charlie and the Chocolate Factory would almost surely meet with Roald Dahl's approval. The celebrated author of darkly offbeat children's books vehemently disapproved of 1971's Willy Wonka and the Chocolate Factory (hence the change in title), so it's only fitting that Burton and his frequent star/collaborator, Johnny Depp, should have another go, infusing the enigmatic candyman's tale with their own unique brand of imaginative oddity. Depp's pale, androgynous Wonka led some to suspect a partial riff on that most controversial of eternal children, Michael Jackson, but! Burton's film is too expansively magnificent to be so narrowl! y define d. While preserving Dahl's morality tale on the hazards of indulgent excess, Burton's riotous explosion of color provides a wondrous setting for the lessons learned by Charlie Bucket (played by Freddie Highmore, Depp's delightful costar in Finding Neverland), as he and other, less admirable children enjoy a once-in-a-lifetime tour of Wonka's confectionary wonderland. Elaborate visual effects make this an eye-candy overdose (including digitally multiplied Oompa-Loompas, all played by diminutive actor Deep Roy), and the film's underlying weirdness is exaggerated by Depp's admirably risky but ultimately off-putting performance. Of course, none of this stops Burton's Charlie from being the must-own family DVD of 2005's holiday season, perhaps even for those who staunchly defend Gene Wilder's portrayal of Wonka from 34 years earlier. --Jeff Shannon

DVD features
The second disc is filled with a number of distinctive featurettes. The likely crowd-please! r in most households is "Attack of the Squirrels," which recounts how those fuzzy little creatures (a combination of hard-to-train live animals, animatronics, and computer graphics) can be ornery in their own right. "The Fantastic Mr. Dahl" is a 17-minute look at author Roald Dahl through vintage footage and new interviews with family, friends, and colleagues. "Becoming Oompa-Loompa" follows Deep Roy as he is filmed over and over again through his dance steps and music performances.

Roy is a constant throughout the kids' activities as well. You can follow him to learn two different dance steps "Augustus Gloop" and "Violet Beauregarde," and make him taste weird candy inventions in a simple game. "Search for the Golden Ticket" is a five-part challenge that tests your remote-control fingers, your deductive abilities, or your luck. Finally, if you just want basic behind-the-scenes information, "Making the Mix" is a collection of featurettes (around 40 minutes total) cover! ing the film's casting, music, production design, and special ! effects. --David HoriuchiA poor little boy wins a ticket to visit the inside of a mysterious and magical chocolate factory. When he experiences the wonders inside the factory, the boy discovers that the entire visit is a test of his character.Having proven itself as a favorite film of children around the world, Willy Wonka & the Chocolate Factory is every bit as entertaining now as it was when originally released in 1971. There's a timeless appeal to Roald Dahl's classic children's novel, which was playfully preserved in this charming musical, from the colorful carnival-like splendor of its production design to the infectious melody of the "Oompah-Loompah" songs that punctuate the story. Who can forget those diminutive Oompah-Loompah workers who recite rhyming parental warnings ("Oompah-Loompah, doopity do...") whenever some mischievous child has disobeyed Willy Wonka's orders to remain orderly? Oh, but we're getting ahead of ourselves ... it's really the story of the! impoverished Charlie Bucket, who, along with four other kids and their parental guests, wins a coveted golden ticket to enter the fantastic realm of Wonka's mysterious confectionery. After the other kids have proven themselves to be irresponsible brats, it's Charlie who impresses Wonka and wins a reward beyond his wildest dreams. But before that, the tour of Wonka's factory provides a dazzling parade of delights, and with Gene Wilder giving a brilliant performance as the eccentric candyman, Wonka gains an edge of menace and madness that nicely counterbalances the movie's sentimental sweetness. It's that willingness to risk a darker tone--to show that even a wonderland like Wonka's can be a weird and dangerous place if you're a bad kid--that makes this an enduring family classic. --Jeff Shannon

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Divine Secrets of the Ya-Ya Sisterhood: A Novel

• ISBN13: 9780060759957
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

DIVINE SECRETS OF THE YA YA SISTERHOO - DVD MovieGrab your tissues and send the guys away, because Divine Secrets of the Ya-Ya Sisterhood is the most pedigreed chick flick since Steel Magnolias. You can tell by the title and the novelish names of the Louisiana ladies from Rebecca Wells's precious bestseller. First there's Sidda (Sandra Bullock), a successful playwright still wrestling with her manipulative mother, Vivi (Ellen Burstyn), after a traumatic upbringing. Then there's longtime friends Teensy (Fionnula Flanagan), Necie (Shirley Knight), and Caro (scene-stealer Maggie Smith), from Vivi's secret club of "Ya-Ya Priestesses," together since childhood and determined to heal the rift b! etween Sidda and her mom. Through an ambitious flashback structure (including Ashley Judd as the younger Vivi), screenwriter and first-time director Callie Khouri (who wrote Thelma & Louise) establishes a rich context for this mother-daughter reunion. There's plenty of humor to temper the drama, which inspires Bullock's best work in years. Definitely worth a look for the curious, but only fans of Wells's fiction will feel any twinge of loyalty. --Jeff Shannon

When Siddalee Walker, oldest daughter of Vivi Abbott Walker, Ya-Ya extraordinaire, is interviewed in the New York Times about a hit play she's directed, her mother gets described as a "tap-dancing child abuser." Enraged, Vivi disowns Sidda. Devastated, Sidda begs forgiveness, and postpones her upcoming wedding. All looks bleak until the Ya-Yas step in and convince Vivi to send Sidda a scrapbook of their girlhood mementos, called "Divine Secrets of the Ya-Ya Sisterhood." As Sidda struggles to anal! yze her mother, she comes face to face with the tangled beauty! of impe rfect love, and the fact that forgiveness, more than understanding, is often what the heart longs for.

Divine Secrets of the Ya-Ya Sisterhood may call to mind Prince of Tides in its unearthing of family darkness; in its unforgettable heroines and irrepressible humor and female loyalty, it echoes Fannie Flagg's Fried Green Tomatoes at the Whistle Stop Cafe.Wells is a Louisiana-born Seattle actress and playwright; her loopy saga of a 40-year-old player in Seattle's hot theater scene who must come to terms with her mama's past in steamy Thornton City, Louisiana, reads like a lengthy episode of Designing Women written under the influence of mint juleps and Faulkner's Absalom, Absalom!. The Ya-Yas are the wild circle of girls who swirl around the narrator Siddalee's mama, Vivi, whose vivid voice is "part Scarlett, part Katharine Hepburn, part Tallulah." The Ya-Yas broke the no-booze rule at the cotillion, skinny-dipped their way to j! ail in the town water tower, disrupted the Shirley Temple look-alike contest, and bonded for life because, as one says, "It's so much fun being a bad girl!"

Siddalee must repair her busted relationship with Vivi by reading a half-century's worth of letters and clippings contained in the Ya-Ya Sisterhood's packet of "Divine Secrets." It's a contrived premise, but the secrets are really fun to learn.

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Munchkin Backseat Organizer, Black

• Universal system fits most seat backs
• Durable, easy to clean nylon
• Stores and organizes car essentials
• Different sized pockets hold large and small items

Rose Mae Lolley's mother disappeared when she was eight, leaving Rose with a heap of old novels and a taste for dangerous men. Now, as demure Mrs. Ro Grandee, she's living the very life her mother abandoned. She's all but forgotten the girl she used to be-teenaged spitfire, Alabama heartbreaker, and a crack shot with a pistol-until an airport gypsy warns Rose it's time to find her way back to that brave, tough girl . . . or else. Armed with only her wit, her pawpy's ancient .45, and her dog Fat Gretel, Rose Mae hightails it out of Texas, running from a man who will never let her go, on a mission to find the mother who did.

Starring a minor character from Jackson's bestselling gods in Alabama, BACKSEAT S! AINTS will dazzle readers with its stunning portrayal of the measures a mother will take to right the wrongs she's created, and how far a daughter will travel to satisfy the demands of forgiveness.Rose Mae Lolley's mother disappeared when she was eight, leaving Rose with a heap of old novels and a taste for dangerous men. Now, as demure Mrs. Ro Grandee, she's living the very life her mother abandoned. She's all but forgotten the girl she used to be-teenaged spitfire, Alabama heartbreaker, and a crack shot with a pistol-until an airport gypsy warns Rose it's time to find her way back to that brave, tough girl . . . or else. Armed with only her wit, her pawpy's ancient .45, and her dog Fat Gretel, Rose Mae hightails it out of Texas, running from a man who will never let her go, on a mission to find the mother who did.

Starring a minor character from Jackson's bestselling gods in Alabama, BACKSEAT SAINTS will dazzle readers with its stunning portrayal of the! measures a mother will take to right the wrongs she's created! , and ho w far a daughter will travel to satisfy the demands of forgiveness.Rose Mae Lolley's mother disappeared when she was eight, leaving Rose with a heap of old novels and a taste for dangerous men. Now, as demure Mrs. Ro Grandee, she's living the very life her mother abandoned. She's all but forgotten the girl she used to be-teenaged spitfire, Alabama heartbreaker, and a crack shot with a pistol-until an airport gypsy warns Rose it's time to find her way back to that brave, tough girl . . . or else. Armed with only her wit, her pawpy's ancient .45, and her dog Fat Gretel, Rose Mae hightails it out of Texas, running from a man who will never let her go, on a mission to find the mother who did.

Starring a minor character from Jackson's bestselling gods in Alabama, BACKSEAT SAINTS will dazzle readers with its stunning portrayal of the measures a mother will take to right the wrongs she's created, and how far a daughter will travel to satisfy the demands of forgivenes! s.

Attractive, functional backseat organizer with multiple pockets, mesh pouches, and drink holders. Helps protect seat backs. High quality, durable materials. Easy to clean. Universal system fits most vehicle seat backs.

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Gardens of the Night

• GARDENS OF THE NIGHT (DVD MOVIE)

In the most powerful role of his career, Tom Arnold plays Alex, who, with his partner Frank (Kevin Zegers)
lures eight-year-old Leslie (Ryan Simpkins) into a car, changing her life forever. For seven years, she and
another child, Donnie, live in horror, with no one to turn to but each other. Eventually abandoned by their
captors, Leslie (now played by Gillian Jacobs) and Donnie (Evan Ross), struggle with a hand-to-mouth
existence on the streets of San Diego. Haunted by their pasts, it seems reality for Leslie and Donnie is
being bought by strangers and never going home. Also featuring unforgettable performances by
John Malkovich and Jeremy Sisto.

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Gojira / Godzilla, King of the Monsters

• The testing of nuclear weapons in the Pacific Ocean triggers the awakening of a dreadful, 400-foot-tall, fire-breathing prehistoric lizard who commences to wreak havoc on the city of Tokyo. The original Japanese version of GODZILLA, without the Americanized addition of Raymond Burr. Format: DVD MOVIE Genre: SCI-FI/FANTASY Rating: NR Age: 828768455999 UPC: 82876845599

Ishiro Honda’s Godzilla is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama made in Japan at a time when the country was still reeling from nuclear attack and H-bomb testing. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning more than twenty sequels and spinoffs. This first thrilling, tactile spectacle continues to be a cult phenomenon; here, we present the original,! 1954 Japanese version, along with Godzilla: King of the Monsters!, the 1956 American reworking starring Raymond Burr (Rear Window).This package contains:

* Godzilla (1954 Japanese Edition-english subtitles)
* King of the Monsters (1956 U.S. Release Edtion-english v/o dub)

Featuring:
* Audio commentaries
* Original trailers
*"Making of the Suite" Featurette
*"Godzilla: Story Development" featurette
The first of the Godzilla movies, and the most somber and serious in tone, Gojiro was originally a 98-minute Japanese horror film, until a U.S. company bought the rights and reissued the film at 79 minutes, replacing sequences involving a Japanese reporter with new inserts of a dour, pipe-smoking Raymond Burr. Both versions appear together for the first time in this release from Sony Wonder.

Stills from Gojiro (click for larger image)

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The Anti-Christ

• ISBN13: 9781936594269
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Lars von Trier (Europa, Breaking the Waves, Dancer in the Dark) shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and womanâ€"a searing Willem Dafoe (Platoon, The Last Temptation of Christ) and Cannes best actress Charlotte Gainsbourg (Jane Eyre, 21 Grams)â€"retreat to a cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinema’s most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest! corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against age-old superstition; and a profoundly effective horror film.Lars von Trier's notorious Antichrist is a fascinating and extremely gruesome experiment that combines B-horror tropes with art film concepts and cinematography to question differences between high horror and low horror, if there are such categories. Like the best of Argento, namely Suspiria, Antichrist follows a strictly formulaic, minimalist, almost operatic script structure in which the story of a couple, played by Willem Dafoe and Charlotte Gainsbourg, grieve their dead son. The highly organized story, like a poem, has ample space for metaphors to form, dwell, and transform into overgrown mysteries, such as the decadent forest, Eden, where the couple retreat to their cabin to face demons. When the camera zooms in on a flower vase's murky water on the nightstand beside a bereft Gains! bourg, one senses the ensuing downward spiral.

While the ! film's p lot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, the film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in ! violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbolism it successfully establishes. --Trinie DaltonLars von Trier (Europa, Breaking the Waves, Dancer in the Dark) shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and womanâ€"a searing Willem Dafoe (Platoon, The Last Temptation of Christ) and Cannes best actress Charlotte Gainsbourg (Jane Eyre, 21 Grams)â€"retreat to a cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinema’s most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against ag! e-old superstition; and a profoundly effective horror film.Lar! s von Tr ier's notorious Antichrist is a fascinating and extremely gruesome experiment that combines B-horror tropes with art film concepts and cinematography to question differences between high horror and low horror, if there are such categories. Like the best of Argento, namely Suspiria, Antichrist follows a strictly formulaic, minimalist, almost operatic script structure in which the story of a couple, played by Willem Dafoe and Charlotte Gainsbourg, grieve their dead son. The highly organized story, like a poem, has ample space for metaphors to form, dwell, and transform into overgrown mysteries, such as the decadent forest, Eden, where the couple retreat to their cabin to face demons. When the camera zooms in on a flower vase's murky water on the nightstand beside a bereft Gainsbourg, one senses the ensuing downward spiral.

While the film's plot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, t! he film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbol! ism it successfully establishes. --Trinie DaltonHere is! Friedri ch Nietzsche's great masterpiece The Anti-Christ, wherein Nietzsche attacks Christianity as a blight on humanity. This classic is essential reading for anyone wishing to understand Nietzsche and his place within the history of philosophy. "We should not deck out and embellish Christianity: it has waged a war to the death against this higher type of man, it has put all the deepest instincts of this type under its ban, it has developed its concept of evil, of the Evil One himself, out of these instincts-the strong man as the typical reprobate, the 'outcast among men.' Christianity has taken the part of all the weak, the low, the botched; it has made an ideal out of antagonism to all the self-preservative instincts of sound life; it has corrupted even the faculties of those natures that are intellectually most vigorous, by representing the highest intellectual values as sinful, as misleading, as full of temptation. The most lamentable example: the corruption of Pascal, who beli! eved that his intellect had been destroyed by original sin, whereas it was actually destroyed by Christianity!" -Friedrich Nietzsche

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Broken Embraces [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a relationship with her boss Ernesto (José Luis Gómez), a very wealthy, much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era wi! th Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty son, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and ! his girl, and the culprit isn't as obvious as it seems. With Embrac es, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from Broken Embraces (Click for larger image)

A luminous Penélope Cruz stars as an actress who sacrifices everything for true love in Broken Embraces, Academy Award -winning filmmaker (2003, Best Writing, Original Screenplay, Talk to Her) Pedro Almodóvar's acclaimed tale of sex, secrets and cinema. When her father becomes gravely ill, beautiful Lena (Cruz) consents to a ! relationship with her boss Ernesto (José Luis Gómez), a very! wealthy , much-older man who pays for her father's hospitalization and provides her a lavish lifestyle. But Lena's dream is to act and soon she falls for the director of her first film - a project bankrolled by her husband to keep her near. Upon his discovery of the affair, Ernesto stops at nothing to ruin Lena's happiness.Pedro Almodóvar continues to reinvent Hollywood's Golden Age for a new era with Broken Embraces. A blind screenwriter in the present day, Mateo Blanco, a.k.a. Harry Caine (Lluís Homar), reminisces about his favorite leading lady to his assistant, Diego (Tamar Novas). In 1992, when Caine met Lena (Penélope Cruz), stockbroker Ernesto (José Luis Gómez) had just made the cash-strapped secretary his mistress. First, Ernesto pays for her mother's medical care; then he supports her dream to act. In the process, Caine casts her in his screwball comedy and falls in love, and a passionate affair begins. Ernesto suspects something is up, so he hires his shifty so! n, Ernesto Jr. (the off-key Rubén Ochandiano), to film the couple surreptitiously, and a lip reader translates their conversations. Caine's production manager, Judit (Volver's Blanca Portillo), further complicates the scenario. By the end, Caine, whose name serves as a tip of the hat to hard-boiled author James M. Cain (The Postman Always Rings Twice), has lost his vision and his girl, and the culprit isn't as obvious as it seems. With Embraces, Almodóvar riffs on Tinseltown classics where greed and lust lead to death. If less successful than Live Flesh, a prior noir, his jigsaw storytelling remains just as riveting and his principal cast rises to the occasion, particularly Cruz, who plays a more passive character than usual and remains, much like Otto Preminger's Laura before her, a mystery that no one, not even the filmmaker, can ever completely solve. --Kathleen C. Fennessy


Stills from ! Broken Embraces (Click for larger image)

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Gothika [Blu-ray]

• A brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond

A brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond her wildest imagination.

DVD Features:
Audio Commentary
Music Video:Fred D! urst music video - "Behind Blue Eyes"
Theatrical Trailer:Fred Durst music video - "Behind Blue Eyes"

The title of Gothika prepares you for a spooky, atmospheric thriller with an emphasis on supernatural mystery. The best way to appreciate the movie itself is to understand that it's a waking nightmare that needn't make sense in the realm of sanity. Making a flashy Hollywood debut after his superior 2000 thriller Crimson Rivers, French actor-director Mathieu Kassovitz pours on the dark and stormy atmosphere, trapping a competent psychologist (Halle Berry) in the prison ward where she treated inmates (including Penelope Cruz) until she was committed for killing her husband (Charles S. Dutton), who was also her boss. Did a car crash cause her to suffer ghostly delusions, or is a young girl--dead for four years--sending clues from beyond the grave? Berry has to prove her innocence while Kassovitz keeps everything--including the viewer and costar Ro! bert Downey Jr. (as Berry's colleague)--in the dark about just! where t he nonsensical plot is leading. There's a better movie in here somewhere, among the catwalks and crannies of the impressive prison-castle setting, and Berry gives 100% in a performance that's consistent with the movie's overwrought tone. Attentive viewers will identify the killer early on, and the ending is anticlimactic, but Gothika serves up a few good shocks for ghost-story connoisseurs. --Jeff ShannonA brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond her wildest imagination.

DVD Features:
Audio Commentary
Music Video:Fred Durst music video - "Behind Blue Eyes"
Theatrical Trailer:! Fred Durst music video - "Behind Blue Eyes"

The title of Gothika prepares you for a spooky, atmospheric thriller with an emphasis on supernatural mystery. The best way to appreciate the movie itself is to understand that it's a waking nightmare that needn't make sense in the realm of sanity. Making a flashy Hollywood debut after his superior 2000 thriller Crimson Rivers, French actor-director Mathieu Kassovitz pours on the dark and stormy atmosphere, trapping a competent psychologist (Halle Berry) in the prison ward where she treated inmates (including Penelope Cruz) until she was committed for killing her husband (Charles S. Dutton), who was also her boss. Did a car crash cause her to suffer ghostly delusions, or is a young girl--dead for four years--sending clues from beyond the grave? Berry has to prove her innocence while Kassovitz keeps everything--including the viewer and costar Robert Downey Jr. (as Berry's colleague)--in the dark about just ! where the nonsensical plot is leading. There's a better movie ! in here somewhere, among the catwalks and crannies of the impressive prison-castle setting, and Berry gives 100% in a performance that's consistent with the movie's overwrought tone. Attentive viewers will identify the killer early on, and the ending is anticlimactic, but Gothika serves up a few good shocks for ghost-story connoisseurs. --Jeff ShannonA brilliant and respected criminal psychologist, Dr. Miranda Grey (Halle Berry) is an expert at knowing what is rational. Under the direction of her husband (Charles S. Dutton), Miranda treats dangerously disturbed patients at the Woodward Penitentiary for Women. But Miranda's life is thrust into terrifying jeopardy after a cryptic encounter with a mysterious young girl leads to a nightmare beyond her wildest imagination.The title of Gothika prepares you for a spooky, atmospheric thriller with an emphasis on supernatural mystery. The best way to appreciate the movie itself is to understand that it's a waking nightma! re that needn't make sense in the realm of sanity. Making a flashy Hollywood debut after his superior 2000 thriller Crimson Rivers, French actor-director Mathieu Kassovitz pours on the dark and stormy atmosphere, trapping a competent psychologist (Halle Berry) in the prison ward where she treated inmates (including Penelope Cruz) until she was committed for killing her husband (Charles S. Dutton), who was also her boss. Did a car crash cause her to suffer ghostly delusions, or is a young girl--dead for four years--sending clues from beyond the grave? Berry has to prove her innocence while Kassovitz keeps everything--including the viewer and costar Robert Downey Jr. (as Berry's colleague)--in the dark about just where the nonsensical plot is leading. There's a better movie in here somewhere, among the catwalks and crannies of the impressive prison-castle setting, and Berry gives 100% in a performance that's consistent with the movie's overwrought tone. Attentive viewe! rs will identify the killer early on, and the ending is anticl! imactic, but Gothika serves up a few good shocks for ghost-story connoisseurs. --Jeff Shannon

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Pink Angel Girls 7-16 Short Sleeve Cardigan with Rosette, Mouse Grey, Small (7-8)

• Self rosette flower
• Buttons

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Malcolm X (Two-Disc Special Edition)

• Adapted from the novel, "The Autobiography of Malcolm X" written by Alex Haley, this is an amazing biopic of one of the most influential African American leaders to date. It follows the life and times of Malcolm Little through his transformation to Malcolm X and his departure from the Nation of Islam. Spike Lee's epic film captures the internal struggles, the spiritual, political and structural ch

Spike Lee directs this sizzling satire on race and racism within the modern media world. Starring Damon Wayons (Major Payne TV's In Living Color) and Jada Pinkett-Smith (Set It Off Scream 2 The Nutty Professor)Running Time: 136 min.System Requirements:Starring: Damon Wayans Jada Pinkett-Smith Michael Rapaport Tommy Davidson and Savion Glover. Directed By: Spike Lee. Running Time: 136 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 Warner Home Video.Format: DVD MOVIE Gen! re: COMEDY Rating: R UPC: 794043519727Director Spike Lee has never shied away from controversy, and with Bamboozled he tackles a thorny mix of racism and how images are bought and sold. A frustrated TV writer named Delacroix (Damon Wayans), unable to break his contract, tries to get fired by proposing a new minstrel show, complete with dancers in blackface. But the network loves the idea, and Delacroix hires two street performers (Savion Glover, who is truly the finest tap dancer since Fred Astaire, and Tommy Davidson) whose hunger for success and ignorance of history combine to make them accept the blackface. Despite protests, the show is a huge success--but gradually, the mental balance of everyone involved starts to crumble. As an argument, Bamboozled is incoherent--but how can racism be discussed rationally in the first place? Lee takes a much braver approach: Every time something seems to make sense or make a point, he complicates the situation. At one! point, Delacroix goes to see his father, a standup comedian w! orking a t a small black club. Delacroix perceives his father as a broken failure. But his father's routine is full of articulate critiques of white hypocrisy, and the older man describes refusing to play the narrow movie roles that Hollywood had offered him, while Delacroix has convinced himself that his minstrel show is actually doing some social good. And what is the effect of the show itself? Lee obviously finds blackface abhorrent, but the minstrel routines are perversely fascinating and Glover's dancing, even when he mimics Amos and Andy-era routines, is outstanding. Most cuttingly, Lee points out parallels between minstrel and contemporary hip-hop personas. By the time it's over, Bamboozled won't have told you what to think, but you will have to think about these issues--and that alone is a remarkable accomplishment. --Bret FetzerSpike Lee directs this sizzling satire on race and racism within the modern media world. Starring Damon Wayons (Major Pay! ne TV's In Living Color) and Jada Pinkett-Smith (Set It Off Scream 2 The Nutty Professor)Running Time: 136 min.Format: DVD MOVIE Genre: COMEDY UPC: 794043527821Director Spike Lee has never shied away from controversy, and with Bamboozled he tackles a thorny mix of racism and how images are bought and sold. A frustrated TV writer named Delacroix (Damon Wayans), unable to break his contract, tries to get fired by proposing a new minstrel show, complete with dancers in blackface. But the network loves the idea, and Delacroix hires two street performers (Savion Glover, who is truly the finest tap dancer since Fred Astaire, and Tommy Davidson) whose hunger for success and ignorance of history combine to make them accept the blackface. Despite protests, the show is a huge success--but gradually, the mental balance of everyone involved starts to crumble. As an argument, Bamboozled is incoherent--but how can racism be discussed rationally in the first place? Lee tak! es a much braver approach: Every time something seems to make ! sense or make a point, he complicates the situation. At one point, Delacroix goes to see his father, a standup comedian working at a small black club. Delacroix perceives his father as a broken failure. But his father's routine is full of articulate critiques of white hypocrisy, and the older man describes refusing to play the narrow movie roles that Hollywood had offered him, while Delacroix has convinced himself that his minstrel show is actually doing some social good. And what is the effect of the show itself? Lee obviously finds blackface abhorrent, but the minstrel routines are perversely fascinating and Glover's dancing, even when he mimics Amos and Andy-era routines, is outstanding. Most cuttingly, Lee points out parallels between minstrel and contemporary hip-hop personas. By the time it's over, Bamboozled won't have told you what to think, but you will have to think about these issues--and that alone is a remarkable accomplishment. --Bret Fetzer! Hard-hitting and chock-full of original interviews with some of America's biggest political players and insiders, Angela McGlowan exposes liberals' 50 year SCHEME to bamboozle the poor and minorities into supporting a party that sells them out.  McGlowan, a Democrat-turned-Republican, reveals how the GOP better represents the values and interests of women, Latinos, and blacks.Director Spike Lee has never shied away from controversy, and with Bamboozled he tackles a thorny mix of racism and how images are bought and sold. A frustrated TV writer named Delacroix (Damon Wayans), unable to break his contract, tries to get fired by proposing a new minstrel show, complete with dancers in blackface. But the network loves the idea, and Delacroix hires two street performers (Savion Glover, who is truly the finest tap dancer since Fred Astaire, and Tommy Davidson) whose hunger for success and ignorance of history combine to make them accept the blackface. Despite protests, th! e show is a huge success--but gradually, the mental balance of! everyon e involved starts to crumble. As an argument, Bamboozled is incoherent--but how can racism be discussed rationally in the first place? Lee takes a much braver approach: Every time something seems to make sense or make a point, he complicates the situation. At one point, Delacroix goes to see his father, a standup comedian working at a small black club. Delacroix perceives his father as a broken failure. But his father's routine is full of articulate critiques of white hypocrisy, and the older man describes refusing to play the narrow movie roles that Hollywood had offered him, while Delacroix has convinced himself that his minstrel show is actually doing some social good. And what is the effect of the show itself? Lee obviously finds blackface abhorrent, but the minstrel routines are perversely fascinating and Glover's dancing, even when he mimics Amos and Andy-era routines, is outstanding. Most cuttingly, Lee points out parallels between minstrel and contempor! ary hip-hop personas. By the time it's over, Bamboozled won't have told you what to think, but you will have to think about these issues--and that alone is a remarkable accomplishment. --Bret FetzerDirector Spike Lee has never shied away from controversy, and with Bamboozled he tackles a thorny mix of racism and how images are bought and sold. A frustrated TV writer named Delacroix (Damon Wayans), unable to break his contract, tries to get fired by proposing a new minstrel show, complete with dancers in blackface. But the network loves the idea, and Delacroix hires two street performers (Savion Glover, who is truly the finest tap dancer since Fred Astaire, and Tommy Davidson) whose hunger for success and ignorance of history combine to make them accept the blackface. Despite protests, the show is a huge success--but gradually, the mental balance of everyone involved starts to crumble. As an argument, Bamboozled is incoherent--but how can r! acism be discussed rationally in the first place? Lee takes a ! much bra ver approach: Every time something seems to make sense or make a point, he complicates the situation. At one point, Delacroix goes to see his father, a standup comedian working at a small black club. Delacroix perceives his father as a broken failure. But his father's routine is full of articulate critiques of white hypocrisy, and the older man describes refusing to play the narrow movie roles that Hollywood had offered him, while Delacroix has convinced himself that his minstrel show is actually doing some social good. And what is the effect of the show itself? Lee obviously finds blackface abhorrent, but the minstrel routines are perversely fascinating and Glover's dancing, even when he mimics Amos and Andy-era routines, is outstanding. Most cuttingly, Lee points out parallels between minstrel and contemporary hip-hop personas. By the time it's over, Bamboozled won't have told you what to think, but you will have to think about these issues--and that a! lone is a remarkable accomplishment. --Bret FetzerSpike Lee is one of the most acclaimed and controversial directors of all time. Now five of his most provocative, thought-provoking films are available in one collection. From the breakout hit dramedy DO THE RIGHT THING to the gritty, urban CLOCKERS, Lee peels away life's layers, exposing the ironies, brutalities, rhythms and prejudices of the naked city in this powerful collector's set.Clockers
Based on the riveting bestseller by Richard Price, this 1995 crime drama was directed by Spike Lee with such authority and authenticity that it has the hyper-real quality of a stylized documentary. Fully capturing the thoroughly researched detail of Price's novel, the film focuses on Strike (newcomer Mekhi Phifer), a young, ambitious "clocker"--or drug dealer--who works the streets of his New York housing project, selling drugs for a local supplier named Rodney (played with ferocious charisma by Delroy Lindo). Just ! as Strike is struggling to get away from his dead-end life of ! crime, a nother dealer is murdered in a fast-food restaurant and local detectives (Harvey Keitel, John Turturro) consider Strike the primary suspect. In cowriting the script with novelist Price, Lee uses this murder mystery to explore the plague of guns and black-on-black crime in America's inner cities, in which drugs and death are familiar routines of daily life. The film doesn't pretend to offer solutions, nor does it dwell on the problem with numbing insistence. Rather, this taut, well-acted film takes the viewer into a world often hidden in plain sight--a world where options seem nonexistent for youth conditioned to have little or no expectation beyond a probable early death. Lee and Price are deadly serious in handling this volatile subject (which incorporates racism, powerless law enforcement, and political indifference), but Clockers is also blessed with humor, insight, and humanity. It's one of Lee's most confidently directed films, signaling a creative maturity that ! Lee continued to develop throughout the 1990s. --Jeff Shannon

Jungle Fever
Spike Lee's 1991 story about an interracial relationship and its consequences on the lives and communities of the lovers (Wesley Snipes, Annabella Sciorra) is one of his most captivating and focused films. Snipes and Sciorra are very good as individuals trying to reach beyond the limits imposed upon them for reasons of race, tradition, sexism, and such. Lee makes an interesting and subtle case that they are driven to one another out of frustration with social obstacles as well as pure attraction--but is that enough for love to survive? John Turturro is featured in a subplot as an Italian American who grows attracted to a black woman and takes heat from his numbskull buddies. --Tom Keogh

Do the Right Thing
Spike Lee's incendiary look at race relations in America, circa 1989, is so colorful and exuberant for its first three-quarters that you can almost forge! t the terrible confrontation that the movie inexorably builds ! toward. Do the Right Thing is a joyful, tumultuous masterpiece--maybe the best film ever made about race in America, revealing racial prejudices and stereotypes in all their guises and demonstrating how a deadly riot can erupt out of a series of small misunderstandings. Set on one block in Bedford-Stuyvesant on the hottest day of the summer, the movie shows the whole spectrum of life in this neighborhood and then leaves it up to us to decide if, in the end, anybody actually does the "right thing." Featuring Danny Aiello as Sal, the pizza parlor owner; Lee himself as Mookie, the lazy pizza-delivery guy; John Turturro and Richard Edson as Sal's sons; Lee's sister Joie as Mookie's sister Jade; Rosie Perez as Mookie's girlfriend Tina; Ossie Davis and Ruby Dee as the block elders, Da Mayor and Mother Sister; Giancarlo Esposito as Mookie's hot-headed friend Buggin' Out; Bill Nunn as the boom-box toting Radio Raheem; and Samuel L. Jackson as deejay Mister Señor Love Daddy. A rich a! nd nuanced film to watch, treasure, and learn from--over and over again. --Jim Emerson

Mo' Better Blues
With Mo' Better Blues, the story of a young trumpeter's rise to jazz-world stardom, Spike Lee set out to counter Clint Eastwood's cliché-ridden biopic of Charlie Parker in Bird. But the final product, a slick, glossy drama (with hip-hop jazz provided by Gangstarr no less), is just as superficial as the numerous Alger-esque stories of music stardom to which movie audiences are accustomed.

Denzel Washington gives a typically charismatic performance as the trumpeter in question, as does Wesley Snipes as his sax-playing rival. And as with most Spike Lee films, there are numerous solid performers in small roles such as Bill Nunn, Latin-music star Rubén Blades, and comedian Robin Harris. One character, however, attracted unwanted attention: John Turturro's role as an unscrupulous music-industry exec. Critics called the Turturro character, who! is at once money hungry, swarthy, and perpetually shrouded in! darknes s, a classic anti-Semitic caricature. But the charge seems almost irrelevant in Spike Lee's cartoonish, overstylized world of impossibly hunky jazzmen, curvaceous hangers-on, and incessant bebop. --Ethan Brown

Crooklyn
Spike Lee's semiautobiographical, 1994 film about the good and bad times for a Brooklyn family in the '70s has passion and nostalgic good feeling, but it is also a mess of random reflections and arbitrary storytelling. The centerpiece of the movie is a little girl (Zelda Harris) who views the ups and downs of her parents' experiences (mom and dad are played by Delroy Lindo and Alfre Woodard), and who navigates the life of her neighborhood. Lee tosses in a lot of '70s detail (watching The Partridge Family) and other diversions (Harris's journey through suburbia), but he has no master sensibility controlling the flow of it all. The film is more wearying than anything, although bright spots include Lindo's fine performance as a tale! nted man suffering from irrelevance. --Tom KeoghWriter-director Spike Lee's latest is a dark satire on the television Industry, in which a frustrated Ivy League-educated black writer revives the racially insensitive minstrel show (now performed by blacks in even blacker face, as opposed to whites) and achieves a ratings success and industry fallout. The music has been carefully chosen and presents a wide swath of styles, clocking in at a generous 75 minutes. Prince, the artist formerly known as ?, is back with "2045 Radical Man," which features his trademark mix of old-school soul and updated funk. Stevie Wonder's "Misrepresented People" (featuring a spoken-word passage by the Rev. Jesse Jackson) and "Some Years Ago" are infused with social consciousness, recalling the message music of early 1970s soul. Chuck D. teams up with the Roots and Rage Against the Machine's Zack De La Rocha for an update of Public Enemy's "Burn Hollywood Burn." --Rob O'Connor Story of! Malcolm X, as he rises up from poverty, encounters the law, a! chieves spiritual enlightenment, and reaches out to others in the fight for human and civil rights.
Item Type: DVD Movie
Item Rating: PG13
Street Date: 02/08/05
Wide Screen: yes
Director Cut: no
Special Edition: yes
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveJust as Do the Right Thing was the capstone of Spike Lee's earlier career, Malcolm X marked the next milestone in the filmmaker's artistic maturity. It seemed everything Lee had done up to that point was to prepare him for this epic biography of America's fiery civil-rights leader, who is superbly played by Oscar-nominated Denzel Washington, from his early days as a zoot-suited hustler known as "Detroit Red" to his spiritual maturity after his pilgrimage to Mecca, as a Black Muslim by the name of El Hajj Malik El Shabazz. Do th! e Right Thing climaxed with the photographic images of Malcolm X and Dr. Martin Luther King engulfed by flames of rage; Malcolm X explores the genesis and evolution of that rage over Malcolm's lifetime, and how these two great figures--held up to the public as polar-opposites within the African American human rights movement (King for nonviolent civil disobedience, Malcolm for achieving equality "by any means necessary")--were each essential to the agenda of the other. Lee careens from the hedonistic ebullience of Malcolm's early days to the stark despair of prison, from his life-changing conversion to Islam to his emergence as a dynamic political leader--all with an epic sweep and vitality that illuminates personal details as well as political ideology. Angela Bassett is also terrific as Malcolm's wife, Betty Shabazz. --Jim Emerson

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Awake

• Awake turns the disturbingly real phenomenon of anesthetic awareness - in which surgery patients, through completely paralyzed, are conscious of everything they are experiencing, including the pain - into a "completely absorbing" thriller (Roger Ebert). When failed anesthesia leaves a rich young tycoon (Hayden Christensen, Star Wars) alert but immobilized during open heart surgery, he over

AWAKE is a sexy, psychological thriller about a common occurrence called "anesthetic awareness" a horrifying phenomenon wherein a patient's failed anesthesia leaves him fully conscious but physically paralyzed during surgery. The patient's charming new wife is forced to struggle with her own demons as a terrifying drama unfolds around the couple.There's a hint of classic noir in the twists and turns that make up Awake, a medical thriller that hinges on an alarming real-life condition known as anesth! esia awareness, which keeps surgery patients awake but immobile during surgery. Hayden Christensen is top-billed as the scion of a wealthy banking family in desperate need of a heart transplant. Seconds after the operation commences, he discovers that he is fully conscious, yet unable to move; and what's worse, the entire procedure is slated to fail in order to claim his considerable fortune. Once the scheme is set in motion, Awake moves into high gear, and the stock characters established in the exposition-heavy opening show their true (and decidedly scurrilous) colors. Unfortunately, the suspense is undone by Christensen undergoing what appears to be a confusing out-of-body experience, and a conclusion that begs for more suspension of disbelief than most audiences will be able to summon up. Christensen and Jessica Alba (as his new bride) are attractive but bland; instead, it's Howard who delivers as the film's conflicted antihero. The supporting players, including ! Lena Olin as Christensen's overprotective mom, Christopher McD! onald, a nd Arliss Howard also lend considerable credence to the material. -- Paul Gaita

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Avenue Montaigne womens pull on capri black pants 12

• Size: 12
• Color: Black
• Style: Capris, Cropped
• Material: 75% Viscose 22% Polyamide 3% Elasthane

AVENUE MONTAIGNE centers around Jessica (Cecile de France) a beautiful young woman from the provinces who comes to Paris and lands a job waiting tables at a chic bistro on fabled Avenue Montaigne, the city's nexus for art, music, theater and fashion. Jessica's customers include a popular TV actress (Valerie Lemercier) who is courting a major Hollywood director (Sydney Pollack) for her first serious film role; a wealthy art collector (Claude Brasseur) who is about to liquidate a lifetime's worth of treasures at auction; and an illustrious classical pianist (Albert Dupontel) who is at odds with his manager/wife (Laura Morante) as to where his career is headed. Precisely because Jessica doesn't know how celebrated these people are, her guileless and completely unintimidated engag! ement in their lives has a transforming effect on them - and ultimately her.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

French for "Orchestra Seats," Avenue Montaigne offers an outsider's perspective on an insular world (the original title is Fauteuils d'Orchestre). After bidding adieu to her grandmother (Suzanne Flon in her final performance), sunny Jessica (Cécile De France, L'Auberge Espagnole) moves from Mâcon to Paris. Upon securing a job as a waitress in a popular café, she meets high-strung soap star Catherine (Valérie Lemercier), burnt-out pianist Jean-François (Albert Dupontel), and secretive art collector Jacques (Claude Brasseur), who comes equipped with a pretty girlfriend and a handsome son (Christopher Thompson). Though the tousled Jessica has little in common with these posh Parisians, she affects each of their lives in ways both big and small. Dir! ected by Danièle Thompson (La Bûche) and co-written w! ith her son, Christopher, Avenue Montaigne serves as the flipside to French phenomenon When the Cat's Away, in which a young woman meets the people in her neighborhood while searching for an errant feline. In this case, the surroundings are more upscale, but the residents are just as susceptible to fear and insecurity. Though the idea of a sympathetic look at the upper class will surely strike some as off-putting, Thompson makes it work. The genuine affection she feels for her characters--privileged and underprivileged alike--and the grace with which she keeps several plot strands going at once proves that the spirit of Robert Altman lives on in the most unlikely of places. --Kathleen C. FennessyFrance released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: French ( Dolby Digital 2.0 ), French ( Dolby Digital 5.1 ), English ( Subtitles ), French ( Subtitles ), WIDESCRE! EN (1.85:1), SPECIAL FEATURES: Commentary, Deleted Scenes, Interactive Menu, Making Of, Scene Access, SYNOPSIS: A film about love and art, about passing time and time passing, "Avenue Montaigne" is a humble pleasure. The modesty feels intentional and misleading: the story is a nominally light affair abuzz with minor incidents, comic faces, choreographed nonsense, melodramatic blips and swells. But there are serious complications too, including a handful of characters facing life-altering decisions. On the face of it the film recalls the light comedies of what the French call boulevard theater, which were meant to entertain well-heeled patrons but at times, as with "Avenue Montaigne," also offered more. SCREENED/AWARDED AT: Ceasar Awards, ...Avenue Montaigne ( Fauteuils D'orchestre ) ( Orchestra Seats )

• Pull-on style
• Flat front and back
• Capri length
• Stretch twill

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Enemy At the Gates : Widescreen Edition

• Widescreen

An all-star cast lights up the screen in this riveting epic hailed as "a vivid dramatization of one of history's titanic turning points". (Gene Shalit, Today) The year is 1942 and the Nazis are cutting a deadly swath through Russia. Under the leadership of Kruschev (Bob Hoskins), the citizens of Stalingrad are mounting a brave resistance, spurred by the exploits of their local hero, Vassili Zaitsev (Jude Law). An expert sniper, Vassili's deeds have become legendary - thanks to propaganda produced by Vassili's best friend, a political officer named Danilov (Joseph Fiennes). To stop Vassili, the Germans dispatch their best sniper, Major Konig (Ed Harris), to Stalingrad. When Vassili and Danilov both fall in love with a beautiful soldier (Rachel Weisz), Danilov deserts his friend, leaving Vassili to face his German counterpart alone. As the city burns, Vassili and Konig begin! a cunning game of cat and mouse, waging a private war for courage, honor and country.Like Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a wo! man soldier (Rachel Weisz), but she is also loved by Danilov ! (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon

Genre: Action/Adventure
Rating: R
Release Date: 19-MAY-2009
Media Type: Blu-RayLike Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the Ger! man invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal i! nterest to the central plot, but it's not enough to make this! a class ic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon

Studio: Paramount Home Video Release Date: 08/02/2011 Rating: RDVD

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